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CARL WILSON

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From Wikipedia, the free encyclopedia

For other people named Carl Wilson, see Carl Wilson (disambiguation).

Carl Wilson
Wilson in 1970
Background information
Birth nameCarl Dean Wilson
BornDecember 21, 1946
Hawthorne, California, U.S.
DiedFebruary 6, 1998 (aged 51)
Los Angeles, California, U.S.
GenresRockpop
OccupationsMusiciansingersongwriterrecord producer
InstrumentsGuitarvocalskeyboardsbass
Years active1961–1998
Formerly ofThe Beach BoysKenny & the CadetsBeckley-Lamm-Wilson
Websitecarlwilsonfoundation.org

Carl Dean Wilson (December 21, 1946 – February 6, 1998) was an American musician who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group’s de facto leader in the early to mid-1970s. He was also the band’s musical director on stage from 1965 until his death.

Influenced by the guitar playing of Chuck Berry and the Ventures,[1] Wilson’s initial role in the group was that of lead guitarist and backing singer, but he performed lead vocals on several of their later hits, including “God Only Knows” (1966), “Good Vibrations” (1966), “I Can Hear Music” (1969), and “Kokomo” (1988). Unlike other members of the band, he often played alongside the studio musicians employed during the group’s critical and commercial peak in the mid-1960s. After Brian’s reduced involvement with the group, Carl produced the bulk of their albums between 20/20 (1969) and Holland (1973). Concurrently, he spent several years challenging his draft status as a conscientious objector.

During the 1980s, Wilson attempted to launch a solo career, releasing the albums Carl Wilson (1981) and Youngblood (1983). In the 1990s, he recorded material with Gerry Beckley and Robert Lamm, later released for the posthumous album Like a Brother (2000). He was inducted into the Rock and Roll Hall of Fame as a member of the Beach Boys in 1988. Wilson was also a member of the Movement of Spiritual Inner Awareness, a religious corporation. He died in 1998, aged 51, of lung cancer.[2]

Biography

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Early years and success

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Carl Dean Wilson was born the youngest of the three Wilson boys in Hawthorne, California, the youngest son of Audree Neva (née Korthof) and Murry Gage Wilson. From his pre-teens he practiced harmony vocals under the guidance of his brother Brian, who often sang in the family music room with his mother and brothers. Inspired by country star Spade Cooley, at the age of 12, Carl asked his parents to buy him a guitar, for which he took some lessons.[3] In 1982, Carl remembered from this time: “The kid across the street, David Marks, was taking guitar lessons from John Maus, so I started, too. David and I were about 12 and John was only three years older, but we thought he was a shit-hot guitarist. John and his sister Judy did fraternity gigs together as a duo. Later John moved to England and became one of the Walker Brothers. … He showed me some fingerpicking techniques and strumming stuff that I still use. When I play a solo, he’s still there.”[4] While Brian perfected the band’s vocal style and keyboard base, Carl’s Chuck Berry-esque guitar became an early Beach Boys trademark. While in high school, Carl also studied saxophone.[3]

Turning 15 as the group’s first hit, “Surfin’“, broke locally in Los Angeles, Carl’s father and manager, Murry (who had sold his business to support his sons’ band), bought him a Fender Jaguar guitar. Carl developed as a musician and singer through the band’s early recordings, and the early “surf lick” sound heard in “Fun, Fun, Fun” was recorded in 1964 when Carl was 17. Also in 1964, Carl contributed his first co-writing credit on a Beach Boys single with the guitar riff and solo in “Dance, Dance, Dance” co-written with Mike Love and Brian Wilson. By the end of 1964, he was diversifying, favoring the 12-string Rickenbacker that was also notably used by Roger McGuinn in establishing the sound of the Byrds and by George Harrison of The Beatles during this era. Dave Marsh, in The Rolling Stone Illustrated History of Rock & Roll (1976), stated that Pete Townshend of The Who expanded on both R&B and rock “influenced heavily by Beach Boy Carl Wilson”.[5]

Wilson in 1965

Carl’s lead vocals in the band’s first three years were infrequent. Although all members of the band played on their early recordings, Brian began to employ experienced session musicians to play on the group’s instrumental tracks by 1965 to assist with the complex material, but the band was not eliminated from recording the instrumental tracks and still continued to play on certain songs on each album.[6] Unlike the other members of the band, Carl often played alongside session musicians and also recorded his individual guitar leads during the Beach Boys’ vocal sessions, with his guitar plugged directly into the soundboard. His playing can be heard on the introduction to “California Girls“, throughout the 1965 album The Beach Boys Today! and on “That’s Not Me” from Pet Sounds.

After Brian’s retirement from touring in 1965, Carl became the musical director of the band onstage.[3] Contracts at that time stipulated that promoters hire “Carl Wilson plus four other musicians”. Following his lead vocal performance on “God Only Knows” in 1966, Carl was increasingly lead vocalist for the band, a role previously dominated by Mike Love and Brian. He sang leads on the singles “Good Vibrations“, “Darlin’“, and “Wild Honey“.[3] Starting with the album Wild Honey, Brian requested that Carl become more involved in the Beach Boys’ records.[7]

1970s

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“Feel Flows” from Surf’s Up (1971)

Duration: 27 seconds.0:27

“Feel Flows” was written by Carl Wilson with band manager Jack Rieley.

Problems playing this file? See media help.

In 1969, the Beach Boys’ rendition of “I Can Hear Music” was the first track produced solely by Carl Wilson. By then, he had effectively become the band’s in-studio leader, producing the bulk of the albums during the early 1970s.[3] Though Carl had written surf instrumentals for the band in the early days,[3] he did not hit his stride as a songwriter until the 1971 album Surf’s Up, for which he composed “Long Promised Road” and “Feel Flows“, with lyrics by the band’s then-manager Jack Rieley. Carl considered “Long Promised Road” his first real song. After producing the majority of Carl and the Passions – “So Tough” (1972) and Holland (1973),[3] Carl’s leadership role diminished somewhat, due to Brian’s brief public reemergence and because of Carl’s own substance abuse problems.

Wilson (left) with Bruce Johnston and Roy Orbison in 1979

For L.A. (Light Album) (1979), Carl contributed four songs, among them “Good Timin’“, co-written with Brian five years earlier, which became a Top 40 American hit. Carl’s main writing partner in the late 1970s was Geoffrey Cushing-Murray, but for Keepin’ the Summer Alive (1980) he wrote with Randy Bachman of the band Bachman-Turner Overdrive. Carl told Michael Feeney Callan, writer-director of the RTÉ 1993 documentary The Beach Boys Today (a celebration of the Beach Boys’ 30th anniversary), that Bachman was his favorite writing partner, accordingly: “Basically because he rocked, and I love to rock”.

As a producer and vocalist, Carl’s work was not confined to the Beach Boys. During the 1970s, he also produced records for other artists, such as Ricci Martin (son of Dean Martin) and South African group the Flames, two members of which later temporarily joined the Beach Boys’ line-up. He lent backing vocals to many works, including Chicago‘s hits “Baby, What a Big Surprise” and “Wishing You Were Here” (with Al Jardine and brother Dennis), Elton John‘s “Don’t Let the Sun Go Down on Me” (with Bruce Johnston), David Lee Roth‘s hit cover of “California Girls“, Warren Zevon‘s “Desperados Under the Eaves“, and the Carnie/Wendy Wilson holiday track “Hey Santa!” Carl also recorded a duet with Olivia Newton-John, titled “You Were Great, How Was I?”, for her studio album, “Soul Kiss” (1985). It was not released as a single.

Carl befriended and gave guitar lessons to Alex Chilton when The Box Tops toured with the Beach Boys.

Solo career

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Wilson in 1983

By the early 1980s, the Beach Boys were in disarray; the band had split into camps. Frustrated with the band’s sluggishness to record new material and reluctance to rehearse, Wilson took a leave of absence in 1981. He quickly recorded and released a solo album, Carl Wilson, composed largely of rock n’ roll songs co-written with Myrna Smith-Schilling, a former backing vocalist for Elvis Presley and Aretha Franklin, and wife of Wilson’s then-manager Jerry Schilling. The album briefly charted, and its second single, “Heaven”, reached the top 20 on Billboard‘s Adult Contemporary chart. Wilson also undertook a solo tour to promote the album, becoming the first member of the Beach Boys to break ranks. Initially, Wilson and his band played clubs like The Bottom Line in New York City and the Roxy in Los Angeles. Thereafter, he joined the Doobie Brothers as the opening act for their 1981 summer tour.

Wilson recorded a second solo album, Youngblood, in a similar vein, but by the time of its release in 1983 he had rejoined the Beach Boys. Although Youngblood did not chart, a single, the John Hall-penned “What You Do To Me”, peaked at number 72, making Wilson the second Beach Boy to land a solo single on the Billboard Hot 100. Additionally, the song cracked the top 20 on Billboard‘s Adult Contemporary chart.[8] Wilson frequently performed that song and “Rockin’ All Over the World” (from the same album), as well as “Heaven” from the 1981 album, at Beach Boys’ concerts in the 1980s. “Heaven” was always announced as a tribute to brother Dennis, who drowned in December 1983.

Later years

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The Beach Boys’ 1985 eponymous album prominently featured Wilson’s lead vocals and songwriting, highlighted by his “It’s Gettin’ Late” (another top 20 Adult Contemporary hit) and the “Heaven”-like “Where I Belong”.

In 1988, the Beach Boys scored their biggest chart success in more than 20 years with the US Number 1 song “Kokomo“, co-written by Mike Love, John Phillips, Scott McKenzie, and Terry Melcher, on which Carl sang lead in the chorus. After this, Love increasingly dominated the band’s recorded output and became the driving force behind the album Summer in Paradise (1992), the first and only Beach Boys album with no input from Brian in any form. In 1992, Carl told Michael Feeney Callan his hope was to record new material by Brian. “Speaking for myself”, he told Callan, “I only want to record inspired music”.

Carl continued recording through the 1990s and participated in the Don Was-led recordings of Brian’s “Soul Searchin'” and “You’re Still a Mystery”, songs conceived as the basis of a canceled Brian Wilson/Beach Boys album. He also recorded the album Like a Brother with Robert Lamm and Gerry Beckley, while continuing to tour with the Beach Boys until the last months of his life.

Death

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Wilson’s headstone over his grave

Wilson became ill at his vacation home in Hawaii in early 1997. He was diagnosed with lung cancer, and was started on chemotherapy. He had been smoking cigarettes since his early teens.[9] Despite his illness and treatments, he continued to play and sing with the Beach Boys throughout their entire summer tour until its completion in the autumn of 1997.

Wilson died of lung cancer in Los Angeles, surrounded by his family, on February 6, 1998. His death occurred just two months after the death of his mother, Audree Wilson. He was interred at Westwood Village Memorial Park Cemetery in Los Angeles.

Posthumous releases

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The Beckley–Lamm–Wilson album, Like a Brother, was finally released in 2000, and Carl’s late recordings continue to appear. Brian’s album Gettin’ in Over My Head (2004) features Carl’s vocal from the unreleased Beach Boys song “Soul Searchin'”, with new backing vocals recorded by Brian. The original Beach Boys version, sourced from a canceled attempt at a new Beach Boys album in late 1995, was eventually released in the Made in California (2013) box set, along with another 1995 track titled “You’re Still a Mystery”, which features Carl in the vocal blend. In 2010, bandmate Al Jardine released his first solo album, A Postcard From California, which includes a similarly reconstructed track, “Don’t Fight The Sea“, featuring one of the last vocals Carl recorded. Carl can also be heard on the continual stream of Beach Boys archival releases, most notably as a central voice in the November 2011 release of The Smile Sessions.

It was announced that Wilson’s voice would be heard on a track from the reunited Beach Boys, on the album That’s Why God Made the Radio (2012), but this never materialized. Instead, the scheduled song, “Waves of Love”, featured on the 2012 re-release of Jardine’s A Postcard from California. During The Beach Boys 50th Anniversary Reunion Tour, a segment of the show was dedicated to the memories of Dennis and Carl. The band harmonized with isolated vocal tracks of Carl performing “God Only Knows” and of Dennis singing “Forever”, as the band’s crew projected images of the individual Wilson brothers on a large screen behind the band onstage.

Equipment

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A Rickenbacker 360/12 identical to the 12-string guitar used by Carl in the early to mid-1960s

Information per Jon Stebbins.[10]

Guitars

Bass

  • Hofner copy

Amplifiers

Personal life and beliefs

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Wilson declared himself a conscientious objector and refused the draft to join the American military during the Vietnam War. By 1988, Wilson had become an ordained minister in the Movement of Spiritual Inner Awareness.[11]

Wilson was married twice: first to Annie Hinsche, sister of frequent Beach Boys sideman Billy Hinsche, then in 1987 to Dean Martin‘s daughter Gina (born December 20, 1956).[12] With Annie, he had two sons. It was during the breakup of his and Annie’s marriage that Carl wrote “Angel Come Home”, which, according to co-writer Geoffrey Cushing-Murray, was about Wilson’s grief over separating from his wife during the incessant touring of the Beach Boys. Gina accompanied him during all subsequent tours and the marriage lasted until his death.

Wilson had an Irish Setter named Shannon, whose death inspired the emotional 1976 hit song “Shannon” by Henry Gross.[13]

Discography

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See also: The Beach Boys discography

Albums

YearAlbum detailsChart positions
US
1981Carl WilsonLabel: Caribou Records185
1983YoungbloodLabel: Caribou Records—
2000Like a Brother (with Gerry Beckley and Robert Lamm)Label: Transparent Music—

Singles

DateTitleAlbumChart positions
USAUS[14]
March 1981“Hold Me” / “Hurry Love”Carl Wilson—–
June 1981“Heaven” / “Hurry Love”107–
March 1983“What You Do To Me” / “Time”Youngblood7298
July 1983“Givin’ You Up” / “It’s Too Early to Tell”—–
September 2015“This Is Elvis”non album song—–

Songs (written or co-written)

References

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  1. ^ Hinsche, Billy (November 2001). “Carl Wilson Interview”. Guitar One.
  2. ^ Pareles, Jon (February 9, 1998). “Carl Wilson, A Beach Boys Founder, 51”. The New York Times.
  3. ^ Jump up to:a b c d e f g Ruhlmann, William. “Carl Wilson: Biography”. AllMusic.
  4. ^ Himes, Geoffrey (1982). “Fun, Fun, Fun: Carl Wilson’s Life as a Beach Boy”. Archived from the original on October 1, 2015. Retrieved September 12, 2015.
  5. ^ March, Dave (1976). The Rolling Stone Illustrated History of Rock & Roll.
  6. ^ Stebbins 2007, p. 18.
  7. ^ “The Beach Boys”. Music Favorites. Vol. 1, no. 2. 1976.
  8. ^ “Carl Wilson: Awards”. Allmusic. Retrieved May 11, 2015.
  9. ^ “Beach Boys Mike Love Interview”. The Guardian. July 4, 2013.
  10. ^ Stebbins 2011, p. 289.
  11. ^ Sipchen, Bob; Johnston, David (August 14, 1988). “John-Roger: The Story Behind His Remarkable journey From Rosemead Teacher to Spiritual Leader of a New Age Empire”. Los Angeles Times. p. F1.
  12. ^ Martin, Ricci (2004). That’s Amore: A Son Remembers Dean Martin. Taylor Trade Publications. p. 223. ISBN 1589791401.
  13. ^ Streeter, Leslie Gray (January 7, 2016). “Co-founder of Sha Na Na, Henry Gross, playing at CityPlace”. PalmBeachPost.com. Palm Beach Post. Retrieved October 21, 2024.
  14. ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 340. ISBN 0-646-11917-6.

Sources

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Further reading

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  • Crowley, Kent (2015). Long Promised Road: Carl Wilson, Soul of the Beach Boys – The Biography. Jawbone Press. ISBN 978-1908279842.

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showvteThe Beach Boys
showvteWilson family (the Beach Boys)
showvteRock and Roll Hall of Fame – Class of 1988
showvteMovement of Spiritual Inner Awareness
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