EAST OF EDEN
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East of Eden (film)
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From Wikipedia, the free encyclopedia
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| East of Eden | |
|---|---|
| Theatrical release poster | |
| Directed by | Elia Kazan |
| Screenplay by | Paul Osborn |
| Based on | East of Eden 1952 novel by John Steinbeck |
| Produced by | Elia Kazan |
| Starring | Julie HarrisJames DeanRaymond Massey |
| Cinematography | Ted D. McCord |
| Edited by | Owen Marks |
| Music by | Leonard Rosenman |
| Production company | Warner Bros. Pictures |
| Distributed by | Warner Bros. Pictures |
| Release dates | March 9, 1955 (New York City)April 10, 1955 (United States) |
| Running time | 117 minutes |
| Country | United States |
| Language | English |
| Box office | $5 million[1] |
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East of Eden is a 1955 American epic period drama film directed by Elia Kazan and written by Paul Osborn, adapted from the fourth and final part of John Steinbeck‘s epic 1952 novel of the same name.
It stars James Dean as a wayward young man who, while seeking his own identity, vies for the affection of his deeply religious father against his favored brother, thus retelling the story of Cain and Abel. Appearing in supporting roles are Julie Harris, Raymond Massey, Burl Ives, Richard Davalos, and Jo Van Fleet.
Although set in early 20th century Monterey, California, much of the film was actually shot on location in Mendocino, California. Some scenes were filmed in the Salinas Valley. Of the three films in which James Dean played the lead, this is the only one to have been released during his lifetime.[2]
East of Eden, along with Dean’s other films Rebel Without a Cause (1955) and Giant (1956), was named one of the 400 best American films of all time by the American Film Institute.[3] In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.[4][5]
Plot
[edit]
The plot line is loosely based on the biblical story of Cain and Abel. The story is set in 1917, during World War I, in the central California coastal towns of Monterey and Salinas. Cal and Aron are the young adult sons of a farmer and wartime draft board chairman, Adam Trask, with whom they live in the Salinas Valley. Adam is a deeply religious Christian. Aron is pious, dutiful, and responsible, while Cal is moody, embittered, and thinks that he is sinful. He believes his father loves only his brother Aron. Adam told the boys their mother, Kate, died when they were infants. However, Cal discovers Kate operates a brothel in nearby Monterey, though he keeps this information from Adam and Aron.
Adam’s idealistic plans for a long-haul vegetable shipping enterprise end disastrously, losing his entire fortune. To recoup his father’s loss, and to earn his father’s love, Cal decides to enter the bean-growing business, knowing that if the United States enters the war, bean prices will skyrocket. Cal borrows the $5,000 capital he needs from Kate. Kate reveals to Cal that she deserted the family because she hated living on the farm, that she never loved Adam, and rebelled against his completely controlling her. She shot Adam in the shoulder when he attempted to stop her leaving. In lending Cal the money, Kate notes the irony that the loan proceeds from her business are intended to preserve Adam’s goodness.
Meanwhile, Aron’s girlfriend, Abra, is growing attracted to Cal, who seems to reciprocate her feelings. Cal’s bean venture is successful, and he intends to give the profits to Adam at a surprise birthday party that he and Abra have planned. As the party begins, Aron suddenly announces that he and Abra are engaged. While Adam is openly pleased, both Abra and Cal are uneasy due to their growing feelings for one another. Cal presents the money to his father; however, Adam refuses it, claiming it is war profiteering and demands he give it back to the farmers he “robbed.” Adam adds that Aron’s gift, compared to Cal’s, is “honest and…good.” A confused Cal sees his father’s refusal as just another emotional rejection. When a distraught Cal leaves the room, Abra goes after him. Aron follows and orders Cal to stay away from her. Cal angrily tells Aron that their mother is alive, then takes him to her Monterey bordello. Cal roughly shoves the stunned Aron at the elderly Kate, causing her to fall. When Cal arrives home, Adam demands to know where Aron is. Cal initially responds he is not his brother’s keeper, then tells Adam what he did.
The truth about his mother drives the pacifistic Aron to get drunk, lose control, and then board a troop train to enlist in the army. When the sheriff informs Adam, he rushes to the station in a futile attempt to dissuade him. Adam fails and watches helplessly as Aron smashes his head through the rail car window, maniacally laughing as the train pulls away. A shocked Adam suffers a stroke, leaving him paralyzed and unable to communicate. Cal tries talking to Adam, but Adam is unresponsive. Abra pleads with Adam to show Cal some affection before it is too late. When Cal makes his last bid for acceptance before leaving town, Adam manages to speak. He tells Cal to fire the annoying nurse, then whispers something to him. Cal tells Abra that Adam said he wants only Cal to care for him. The film ends with Cal, alone, sitting by his father’s bedside, the emotional chasm between the father and son apparently healing, with Cal presumably staying to care for him.
Cast
[edit]
- Julie Harris as Abra Bacon
- James Dean as Caleb Trask
- Raymond Massey as Adam Trask
- Richard Davalos as Aron Trask
- Burl Ives as Sam (the sheriff)
- Jo Van Fleet as Cathy Ames/Kate Trask
- Albert Dekker as Will Hamilton
- Harold Gordon as Gustav Albrecht
- Nick Dennis as Rantani
- Lois Smith as Anne, Kate’s servant[6]
- Timothy Carey as Joe, Kate’s henchman (uncredited)
- Barbara Baxley as Adam’s nurse (uncredited)
- Richard Garrick as Dr. Edwards (uncredited)
- Lonny Chapman as Roy Turner, the automobile mechanic (uncredited)
- Lester Dorr as City Official at the parade (uncredited)
Production
[edit]
| This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. Find sources: “East of Eden” film – news · newspapers · books · scholar · JSTOR (February 2018) (Learn how and when to remove this message) |
The film was originally planned to be made in 3-D but Warner Brothers later announced that it was to be made in WarnerSuperScope instead using Warner’s new All-Media camera with no mention of 3-D.[7] It was eventually released in CinemaScope.
Director Elia Kazan first toyed with the idea of casting Marlon Brando as Cal and Montgomery Clift as Aron, but at 30 and 34 years old, respectively, they were simply too old to play teenage brothers. Paul Newman, who was one year younger than Brando, was a finalist for the part of Cal, which eventually was played by James Dean, who was six years younger than Newman.
Newman and Dean, who were up for the part of Cal, screen tested together for the parts of the rival brothers. In the end, Richard Davalos got the part of Aron. This was his screen debut.
Julie Harris was cast as Abra James. Executive producer Jack L. Warner was opposed to her casting, because she was ten years older than her character.
Kazan denied rumors that he didn’t like Dean: “You can’t not like a guy with that much pain in him… You know how a dog will be mean and snarl at you, then you pat him, and he’s all over you with affection? That’s the way Dean was.” Kazan did intervene sternly, however, when Dean started to feel his power as a hotly emerging star and treated crew members disrespectfully.[8]
Locations include: Mendocino County, California; Salinas, California; and Salinas Valley, California.[9]
Themes and character motivations
[edit]
The underlying theme of East of Eden is a biblical reference to the brothers Cain and Abel. Cal is constantly struggling to earn his father’s approval. The relationship between Cal and his father is a stressful one and is not resolved until late in the story, after his father suffers a paralyzing stroke. In his paralyzed state and with the help of Julie Harris’ character, Abra, Cal’s father finally expresses his suppressed love for the boy.[10]
Other themes touched upon in the film include anti-German xenophobia, specifically as wrought against a local German immigrant as resentment about United States entry into World War I grew. The themes of young love and sibling rivalry are also present in the film, as Aron’s girlfriend finds herself increasingly drawn to the more rebellious Cal.[citation needed]
Critical reaction
[edit]
Bosley Crowther, writing for The New York Times, described the film as having “energy and intensity but little clarity and emotion”; he notes:
In one respect, it is brilliant. The use that Mr. Kazan has made of CinemaScope and color in capturing expanse and mood in his California settings is almost beyond compare. His views of verdant farmlands in the famous Salinas “salad bowl,” sharply focused to the horizon in the sunshine, are fairly fragrant with atmosphere. The strain of troubled people against such backgrounds has a clear and enhanced irony. For the stubborn fact is that the people who move about in this film are not sufficiently well established to give point to the anguish through which they go, and the demonstrations of their torment are perceptibly stylized and grotesque.[11]
Jack Moffitt of The Hollywood Reporter, in a review that appeared after the March 1955 premiere, wrote “Beautifully acted, and superbly directed by Elia Kazan, it is bound to be one of the year’s important contributions to screen literature.” Of its star, he wrote:
But the box office asset that is most important is the debut, in the leading role, of a handsome and dynamic young actor named James Dean. This is the boy who is apt to captivate the typical movie fans whether or not they like tragic stories. He is that rare thing, a young actor who is a great actor and the troubled eloquence with which he puts over the problems of misunderstood youth may lead to his being accepted by young audiences as a sort of symbol of their generation. He’s the only player I’ve ever seen who’d be completely right for Romeo. It is inevitable that he will be compared to Marlon Brando, though he is no carbon copy of that capable player.[12]
in 1957 Truman Capote wrote: “…many critics reviewing [the film] remarked on the well-nigh plagiaristic resemblance between [Dean’s] acting mannerisms and [Marlon] Brando’s.”[13] Bosley Crowther called Dean’s performance a “mass of histrionic gingerbread” which clearly emulated the style of Brando.[11] Kate Cameron, of the New York Daily News, on the other hand, proclaimed Dean “a new star” who had “walked away with most of the honors.” While conceding that he did “sound at times like Marlon Brando,” she called him “a fine actor” who “plays his first film role with a naturalness that is completely convincing.”[14]
In 2005 film critic Kenneth Turan of the Los Angeles Times wrote that East of Eden is “not only one of Kazan’s richest films and Dean’s first significant role, it is also arguably the actor’s best performance.”[15] The film’s depiction of the interaction between Dean and Massey was characterized by Turan as “the paradigmatic generational conflict in all of American film.”[15]
In a short retrospective for The New Yorker in 2012, critic Pauline Kael called the film “An amazingly high-strung, feverishly poetic movie about Cain and Abel as American brothers….It’s far from a dull movie, but it’s certainly a very strange one; it’s an enshrinement of the mixed-up kid. Here and in Rebel Without a Cause, Dean seems to go just about as far as anybody can in acting misunderstood.”[16]
In 2013, Dave Kehr of the Chicago Reader praised the adaptation by Kazan and the “down-to-earth” performances of James Dean and Richard Davalos.[17]
As of May 2024 East of Eden holds a 86% fresh rating on Rotten Tomatoes based on 43 reviews, with an average rating of 8.10/10. The critical consensus reads, “East of Eden strains to swell its story to epic dimensions, but James Dean’s riveting performance gives this CinemaScope drama much of its raging heart.”[18] Metacritic, which uses a weighted average, assigned the film a score of 72 out of 100, based on 11 critics through May 2024, indicating “generally favorable” reviews.[19]
Awards and honors
[edit]
Legacy
[edit]
Actor Nicolas Cage said in a 2014 interview that he wanted to go into acting because of Dean and his performance in the film: “I started acting because I wanted to be James Dean. I saw him in Rebel Without a Cause, East of Eden. Nothing affected me – no rock song, no classical music – the way Dean affected me in Eden. It blew my mind. I was like, ‘That’s what I want to do’,” Cage said.[27]
In an undated MTV interview on YouTube actor Leonardo DiCaprio stated that East of Eden was the film that made him “obsessed with movies”.[28] Adding in 2016 when asked about which performances stayed with him the most:
“I remember being incredibly moved by Jimmy Dean, in East of Eden. There was something so raw and powerful about that performance. His vulnerability … his confusion about his entire history, his identity, his desperation to be loved. That performance just broke my heart.”[29]
See also
[edit]
References
[edit]
- ^ ‘The Top Box-Office Hits of 1955’, Variety Weekly, January 25, 1956.
- ^ James Dean at IMDb.
- ^ “American Film Institute’s Top 400 American Films”. Archived from the original on 2016-03-04. Retrieved 2014-12-29.
- ^ Jump up to:a b “With “20,000 Leagues,” the National Film Registry Reaches 700″. Library of Congress. 14 December 2016. Retrieved 30 September 2020.
- ^ “Complete National Film Registry Listing”. Library of Congress. Retrieved 2020-09-30.
- ^ Lois Smith is the last surviving credited film cast member, as of February 1, 2019.
- ^ “Warners Seen Quietly Dropping 3-D As Studio Hops on Scope Wagon”. Variety. August 26, 1953. p. 7. Retrieved March 14, 2024 – via Internet Archive.
- ^ Kazan, Elia (1988). Elia Kazan: A Life. New York: Knopf. ISBN 0-394-55953-3.
- ^ “East of Eden”. tcmdb. Retrieved 22 January 2023.
- ^ “Pop Culture 101: EAST OF EDEN”. TCM.com. Retrieved October 6, 2022.
- ^ Jump up to:a b Crowther, Bosley (March 10, 1955). “The Screen: ‘East of Eden’ Has Debut; Astor Shows Film of Steinbeck Novel”. The New York Times. Retrieved August 4, 2013.
- ^ Moffitt, Jack. “‘East of Eden’: THR’s 1955 Review”. hollywoodreporter.com. The Hollywood Re[prter. Retrieved 2 July 2023.
- ^ Capote, Truman (November 9, 1957). “The Duke in His Domain”. The New Yorker. Retrieved April 29, 2021.
- ^ Cameron, Kate. New York Daily News, “A new star is born on the Astor screen”, film review, March 10, 1955.
- ^ Jump up to:a b Turan, Kenneth. Los Angeles Times, “Dean personifies anguished youth”, film review, June 10, 2005. Accessed: August 4, 2013.
- ^ Kael, Pauline. “East of Eden”. The New Yorker. Retrieved 2 July 2023.
- ^ Kehr, Dave. East of Eden. Chicago Reader. Accessed: August 4, 2013.
- ^ “East of Eden“. Rotten Tomatoes. Retrieved May 13, 2024.
- ^ “East of Eden“. Metacritic. Retrieved May 13, 2024.
- ^ “The 28th Academy Awards”. Academy of Motion Picture Arts and Sciences. Archived from the original on April 4, 2024. Retrieved May 3, 2024.
- ^ “Film in 1956”. British Academy of Film and Television Arts. Archived from the original on September 29, 2023. Retrieved May 13, 2024.
- ^ “Festival de Cannes: East of Eden”. festival-cannes.com. Retrieved August 4, 2013.
- ^ “8th Directors Guild of America Awards”. Directors Guild of America. Archived from the original on March 22, 2024. Retrieved May 13, 2024.
- ^ “East of Eden”. Hollywood Foreign Press Association. Archived from the original on January 14, 2024. Retrieved May 13, 2024.
- ^ “Jussi Awards Winners”. Jussi Awards. Archived from the original on March 17, 2024. Retrieved May 6, 2024.
- ^ “1955 Award Winners”. National Board of Review. Archived from the original on March 26, 2023. Retrieved July 5, 2021.
- ^ “Nicolas Cage on the rise of the ‘celebutard’: ‘It sucks to be famous right now'”. The Independent. March 11, 2014.
- ^ Archived at Ghostarchive and the Wayback Machine: “Leonardo DiCaprio, Brad Pitt & Margot Robbie on ‘Once Upon a Time … in Hollywood’ | MTV News”. YouTube.
- ^ “Leonardo DiCaprio On The Hard-Knock Film Education That Led To ‘The Revenant’: Q&A”. February 10, 2016.
Further reading
[edit]
- Tibbetts, John C., and James M. Welsh, eds. The Encyclopedia of Novels Into Film (2nd ed. 2005) pp 111–112.
External links
[edit]
Wikimedia Commons has media related to East of Eden (film).
Wikiquote has quotations related to East of Eden (film).
- East of Eden at the AFI Catalog of Feature Films
- East of Eden at IMDb
- East of Eden at Rotten Tomatoes
- East of Eden at AllMovie
- East of Eden at the TCM Movie Database
- East of Eden resource guide by Automation Librarian Terry Ballard
- East of Eden film trailer on YouTube Fandango Media MOVIECLIPS Trailer
- ‘East of Eden’ | A. O. Scott | Critics’ Picks | The New York Times – YouTube
| showvteElia Kazan |
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| showvteCain and Abel |
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| showAwards for East of Eden |
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- 1955 films
- 1955 drama films
- American drama films
- Best Drama Picture Golden Globe winners
- Cultural depictions of Cain and Abel
- East of Eden (novel)
- Films scored by Leonard Rosenman
- Films about brothers
- Films about dysfunctional families
- Films based on works by John Steinbeck
- Films based on the Book of Genesis
- Films directed by Elia Kazan
- Films about Christianity
- Films featuring a Best Supporting Actress Academy Award-winning performance
- Films set in 1917
- Films set in 1918
- Films set in the San Francisco Bay Area
- Films set in California
- Films shot in California
- Warner Bros. films
- United States National Film Registry films
- James Dean
- CinemaScope films
- 1950s English-language films
- 1950s American films