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From Wikipedia, the free encyclopedia

“NZT-48” redirects here. For the song, see Digital Renegade.

Limitless
Theatrical release poster
Directed byNeil Burger
Screenplay byLeslie Dixon
Based onThe Dark Fields
by Alan Glynn
Produced byLeslie DixonScott KroopfRyan Kavanaugh
StarringBradley CooperAbbie CornishRobert De NiroAndrew HowardAnna Friel
CinematographyJo Willems
Edited byNaomi GeraghtyTracy Adams
Music byPaul Leonard-Morgan
Production
companies		Virgin ProducedRogueMany Rivers ProductionsBoy of the YearIntermedia Film
Distributed byRelativity (United States)Lionsgate (International)[1]
Release datesMarch 8, 2011 (New York City)March 18, 2011 (United States)
Running time105 minutes
CountryUnited States
LanguageEnglish
Budget$27 million[2]
Box office$161.8 million[3]

Limitless is a 2011 American science-fiction thriller film directed by Neil Burger and written by Leslie Dixon. Loosely based on the 2001 novel The Dark Fields by Alan Glynn, the film stars Bradley Cooper, Abbie Cornish, Robert De Niro, Andrew Howard, and Anna Friel. The film follows Edward Morra, a struggling writer who is introduced to a drug called NZT-48, which gives him the ability to use his brain fully which helps him vastly improve his lifestyle.

Limitless was released on March 18, 2011. Critical reviews were mixed to positive, and the film became a box-office success, grossing over $161 million on a budget of $27 million. A television series of the same name, covering events that take place after the film, debuted on September 22, 2015, but was cancelled after one season.

Plot

Eddie Morra is a struggling author in New York City. His girlfriend Lindy, frustrated with his lack of progress and ambition, breaks up with him. Eddie encounters Vernon, the brother of his ex-wife Melissa, who gives him a sample of a new nootropic called NZT-48, which Vernon implies will help Eddie with his “creative problems”. Eddie tries the drug and discovers that he has acquired perfect recall and is able to analyze minute details and information at incredible speed. Under the influence, he helps his landlord’s wife with her law school homework, sleeps with her, cleans his apartment, and inspired, makes major progress on his book.

Eddie visits Vernon’s apartment to learn more about the pill, only to find him badly beaten. Vernon, refusing to explain what happened, sends Eddie to run some errands. When Eddie returns, he finds Vernon murdered and his apartment ransacked. Before the police arrive, Eddie finds Vernon’s stash of pills.

Eddie finishes his book and fantasizes about what he can accomplish on the drug, but with little money, he decides to day trade with a $100,000 loan from Gennady, a shady loan shark. He makes shocking gains and resumes his relationship with Lindy. His success leads to a meeting with finance tycoon Carl Van Loon, who tests him by seeking advice on a merger with rival Hank Atwood’s company. After the meeting, Eddie experiences an 18-hour dissociative fugue, which he refers to as a “time skip”.

The next day, before a meeting with Van Loon, Eddie finds out his drug supply ran out, forcing him to go without it. During the meeting, Eddie sees on a news telecast that a woman has been murdered in her hotel room. Recognizing her as a woman he slept with during his time skip, he abruptly leaves.

Eddie learns that everyone who took NZT-48 is either hospitalized or dead. He repays Gennady but the latter finds one pill, and after trying it, harasses Eddie for more. He and Lindy are also pursued by a man in a trench coat, and she tells Eddie she cannot be with him while he is on the drug. Using pills he stashed at Lindy’s apartment, Eddie experiments and learns to control his dosage, sleep schedule, and food intake to prevent side effects. He hires a laboratory to reverse-engineer the drug, an attorney to keep the police from investigating him, and two bodyguards to protect him from Gennady.

On the day of the merger, Atwood falls into a coma. Eddie recognizes Atwood’s driver as the man in the trench coat and realizes Atwood was on NZT-48 and is suffering from withdrawal. While Eddie participates in a police lineup, his attorney steals his supply of pills. Eddie enters into withdrawal, and while Van Loon questions him about Atwood’s coma, Eddie receives a parcel containing the severed hands of his bodyguards. He hurries home but Gennady breaks in, demanding more pills, which Eddie is finally out of. Gennady flaunts his abilities while injecting himself with NZT-48, explaining that direct injection into the bloodstream causes the effects to last longer. As Gennady prepares to eviscerate him, Eddie grabs his own knife and kills the gangster. Eddie consumes Gennady’s blood to ingest the last of the NZT-48. His mental abilities restored, he kills the remaining henchmen and finds the man in the trench coat, surmising that Atwood employed him to locate more NZT-48. Once Atwood dies, the two recover Eddie’s stash from his attorney’s apartment.

A year later, Eddie is running for the United States Senate. Van Loon visits him and reveals that he acquired the company that produced NZT-48 and shut down Eddie’s laboratory. Acknowledging that Eddie will likely become President of the United States one day, Van Loon offers Eddie a continued supply of the drug in exchange for political support. Eddie tells Van Loon that he has already perfected the drug and weaned himself off it, retaining his abilities without side effects. Defeated, Van Loon leaves.

Eddie goes to lunch with Lindy. After Eddie speaks in fluent-sounding Mandarin with the waiter, Lindy looks at Eddie suspiciously. He looks at Lindy and asks, “What?”

Cast

Production

Limitless is based on the novel The Dark Fields by Alan Glynn. The film is directed by Neil Burger, and is based on a screenplay by Leslie Dixon, who had acquired the rights to the source material. Dixon wrote the adapted screenplay for less than her regular price in exchange for being made one of the film’s producers.[4] Fellow producer Scott Kroopf and she approached Burger to direct the film, at the time titled The Dark Fields. For Burger, who had written and directed his previous three films, the collaboration was his first foray solely as director.[5] With Universal Pictures developing the project, Shia LaBeouf was announced in April 2008 to be cast as the film’s star.[4]

The project eventually moved to development under Relativity Media and Sir Richard Branson‘s Virgin Produced with Universal distributing through Relativity’s Rogue Pictures. By November 2009, Bradley Cooper replaced LaBeouf in the starring role.[6] Robert De Niro was cast opposite Cooper by March 2010, and The Dark Fields began filming in Philadelphia the following May.[7] Filming also took place in New York City.[5] For a scene filmed in Puerto Vallarta, filmmakers sought a luxury car. Italian carmaker Maserati provided two Maserati GranTurismo coupes free in “a guerrilla-style approach” to product placement.[8] By December 2010, The Dark Fields was re-titled Limitless.[9]

The film notably incorporates fractal zooming, jump-cutting, and out-of-body scenes to convey the effect of the wonder drug on the protagonist. Green screens and motion-control photography were used to produce the visual effect of characters performing an action, and then turning around to see themselves doing that action again.[10] The opening scene was created with still photographs stitched together using a variety of special-effects techniques.[11]

Release

Limitless had its world premiere in New York City on March 8, 2011.[12] It was released in 2,756 theaters in the United States and Canada on March 18, 2011.[3]

The film grossed $18.9 million on its opening weekend to rank first at the box office, beating other openers The Lincoln Lawyer and Paul, as well as carryovers Rango and Battle: Los Angeles.[13] Limitless was released in the United Kingdom on March 23, 2011.[14]

Before the film’s release, Box Office Mojo called Limitless a “wild card”, highlighting its “clearly articulated” premise and the pairing of Cooper and De Niro, but questioned a successful opening. The film opened at number one in its first week in the U.S. The film did well at the box office, earning some $79 million in the U.S. and Canada, as well as some $157 million worldwide against its $27 million budget.[15]

Reception

On review aggregator website Rotten Tomatoes, Limitless has an approval rating of 68% based on 204 reviews, with an average rating of 6.3/10. The site’s critical consensus reads, “Although its script is uneven, Neil Burger directs Limitless with plenty of visual panache, and Bradley Cooper makes for a charismatic star.”[16] Metacritic assigned the film a weighted average score of 59 out of 100, based on 37 critics, indicating “mixed or average” reviews.[17] Audiences polled by CinemaScore gave the film an average grade of “B+” on an A+ to F scale.[13][18]

Roger Ebert of the Chicago Sun-Times gave the film 2.5 out of 4 stars and said it was “not terrifically good, but the premise is intriguing” and also stated that director Neil Burger uses “inventive visual effects.” Lastly, adapting a line from the movie, he said, “Limitless only uses 15, maybe 20 percent of its brain. Still, that’s more than a lot of movies do.”[19]

Kirk Honeycutt of The Hollywood Reporter wrote, “Limitless should be so much smarter than it is,” finding that it took conventional plot turns and stuck closely to genre elements like Russian gangsters and Wall Street crooks. Honeycutt reserved praise for Cooper, Abbie Cornish, and Anna Friel. He also commended cinematographer Jo Willems‘ camerawork and Patrizia von Brandenstein’s production design in the film’s array of locales.[20]

Variety‘s Robert Koehler called Limitless a “propulsive, unexpectedly funny thriller”. Koehler wrote, “What makes the film so entertaining is its willingness to go far out, with transgressive touches and mind-bending images that take zoom and fish-eye shots to a new technical level, as the pill enables Eddie to experience astonishing new degrees of clarity, perception, and energy.” He said of Cooper’s performance, “Going from grungy to ultrasuave with a corresponding shift in attitude, Cooper shows off his range in a film he dominates from start to finish. The result is classic Hollywood star magnetism, engaging auds [audiences] physically and vocally, as his narration proves to be a crucial element of the pic’s humor.” The critic also positively compared Willems’ cinematography to the style in Déjà Vu (2006) and commended the tempo set by the film’s editors Naomi Geraghty and Tracy Adams and by composer Paul Leonard-Morgan.[21]

Limitless received the award for Best Thriller at the 2011 Scream Awards and was nominated for Best Science Fiction Film at the 2012 Saturn Awards, but lost to Rise of the Planet of the Apes.[22][23]

Limitless has been discussed in academic scholarly debates, notably on human enhancement.[24][25]

TV spin-off

Main article: Limitless (TV series)

Bradley Cooper announced in October 2013 that Leslie Dixon, Scott Kroopf, and he would be executive producers of a television series based on Limitless.[26]

On November 3, 2014, CBS announced it would be financing a pilot episode to continue where the film left off. The pilot was directed by Marc Webb, with a script by Elementary executive producer Craig Sweeny.[27] The pilot was screen-tested on June 1, 2015, with Jake McDorman, Jennifer Carpenter, Hill Harper, and Mary Elizabeth Mastrantonio starring.[28] The main character was called Brian Finch[29] and Bradley Cooper made regular appearances, reprising his role as Edward Morra.[30][31]

The TV show premiered on CBS on September 22, 2015, with a 1.9 rating[32][33] and was cancelled after one season.[34]

See also

References

  1.  Hazelton, John (15 March 2011). “Limitless”. Screen International.
  2.  Kaufman, Amy (March 17, 2011). “Movie Projector: Matthew McConaughey, Bradley Cooper and an alien battle for No. 1”. Los Angeles Times.
  3.  “Limitless (2011)”. Box Office Mojo. Retrieved February 11, 2011.
  4.  Siegel, Tatiana (April 13, 2008). “Shia LaBeouf visits ‘Dark Fields'”. Variety.
  5.  Macaulay, Scott (Winter 2011). “Possible Side Effects”. Filmmaker. Archived from the original on 2011-04-11. Retrieved 2011-02-11.
  6.  Siegel, Tatiana (November 5, 2009). “Bradley Cooper ‘Fields’ film offer”. Variety.
  7.  Siegel, Tatiana (March 3, 2010). “De Niro to star in ‘Fields'”. Variety.
  8.  Miller, Daniel (March 11, 2011). “How Maserati Landed Spots in ‘Limitless’ and ‘Entourage’ for Free”. The Hollywood Reporter.
  9.  Puente, Maria (December 17, 2010). “First look: ‘Limitless’ power comes in the form of a pill”. USA Today.
  10.  Failes, Ian (March 29, 2011). “Fractal zooms and other side effects in Limitless”. Fxguide. Retrieved April 4, 2019.
  11.  Moynihan, Tim (March 28, 2011). “Infinite Zoom Lens: How the Opening Scene of ‘Limitless’ Was Created”. PC World. Tech Hive. Archived from the original on August 15, 2020. Retrieved April 4, 2019.
  12.  Schaefer, Stephen (March 9, 2011). “‘Limitless’ bow reaches full potential”. Variety.
  13.  McClintock, Pamela (March 18, 2011). “Friday Box Office: ‘Limitless’ Pulls Ahead of Crowded Field”. The Hollywood Reporter.
  14.  “New Limitless UK Posters”. Empire. February 21, 2011. Retrieved March 2, 2011.
  15.  Subers, Ray (March 2, 2011). “March 2011 Preview”. Box Office Mojo. Retrieved March 13, 2011.
  16.  “Limitless Movie Reviews”. Rotten Tomatoes. Retrieved April 9, 2020.
  17.  “Limitless”. Metacritic. Retrieved March 20, 2011.
  18.  John Young (2011-03-20). “Box office report: ‘Limitless’ conquers weekend with $19 mil”. Entertainment Weekly. earned a respectable “B+” grade from CinemaScore moviegoers.
  19.  Ebert, Roger (March 16, 2011). “He knew everything, but forgot most of it”. Chicago Sun-Times. RogerEbert.com.
  20.  Honeycutt, Kirk (March 15, 2011). “Limitless: Film Review”. The Hollywood Reporter.
  21.  Koehler, Robert (March 14, 2011). “Film Reviews: Limitless”. Variety.
  22.  “Pee Wee, Potter, Vader honored at Scream Awards”. Seattle Post-Intelligencer. Associated Press. 2011-10-16. Retrieved 2011-10-16.
  23.  Nominations for the 38th Annual Saturn Awards Archived 2012-02-21 at the Wayback Machine, saturnawards.org, February 29, 2012.
  24.  Zwart, H (February 2014). “Limitless as a neuro-pharmaceutical experiment and as a Daseinsanalyse: on the use of fiction in preparatory debates on cognitive enhancement”. Medicine, Health Care and Philosophy. 17 (1): 29–38. doi:10.1007/s11019-013-9481-5. PMID 23585022. S2CID 29893291.
  25.  Zwart, H. (2015). “A new lease on life: A lacanian analysis of cognitive enhancement cinema”. In Hauskeller, M.; Philbeck, T.; Carbonell, C. (eds.). The Palgrave Handbook of Posthumanism in Film and Television. Palgrave / MacMillan. pp. 214–224.
  26.  “Bradley Cooper Producing ‘Limitless’ TV Series”. Dark Horizons. 7 October 2013.
  27.  Mansoor. “A ‘Limitless’ sequel is happening…on TV”. Nerdacy. Archived from the original on 2015-07-06. Retrieved 2014-11-05.
  28.  Andreeva, Nellie (May 8, 2015). “‘Limitless’, ‘Rush Hour’, ‘Criminal Minds’ Spinoff, ‘Code’, ‘Life’ Among CBS Orders”. Deadline.
  29.  “CBS green-lights Limitless TV series pilot, picks up where the movie ends”. @geekdotcom. Archived from the original on 2014-11-05. Retrieved 2014-11-05.
  30.  “Bradley Cooper joins CBS’ ‘Limitless’ in recurring role”. Entertainment Weekly.
  31.  Nellie Andreeva (13 May 2015). “Bradley Cooper to Recur on ‘Limitless’ on CBS”. Deadline.
  32.  Tyler McCarthy (22 September 2015). “‘Limitless’ TV Series Premiere: 4 Things To Know About The Sequel To The Bradley Cooper Movie”. International Business Times.
  33.  Rick Kissell (6 October 2015). “Weekly Ratings: ‘Blindspot,’ ‘Quantico,’ ‘Limitless’ Fall’s Most Impressive New Shows”. Variety.
  34.  Wagmeister, Elizabeth (May 25, 2016). “‘Limitless’ Showrunner Confirms CBS Cancellation”. Variety. Retrieved May 26, 2016.
  35.  “The LOCUS Index to SF Awards”. Archived from the original on 2015-06-18.

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