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THE GHOST WRITER

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From Wikipedia, the free encyclopedia

The Ghost Writer
US film poster
Directed byRoman Polanski
Screenplay byRobert Harris
Roman Polanski
Based onThe Ghost
by Robert Harris
Produced byRoman Polanski
Robert Benmussa
Alain Sarde
StarringEwan McGregor
Pierce Brosnan
Kim Cattrall
Olivia Williams
Tom Wilkinson
Timothy Hutton
Jon Bernthal
David Rintoul
Robert Pugh
Eli Wallach
Jim Belushi
CinematographyPaweł Edelman
Edited byHervé de Luze
Music byAlexandre Desplat
Distributed byOptimum Releasing (United Kingdom)
Pathé Distribution (France and Switzerland)[1]
Kinowelt Filmverleih (Germany)[2]
Release dates12 February 2010 (Berlin Film Festival)18 February 2010 (Germany)3 March 2010 (France)16 April 2010 (United Kingdom)
Running time128 minutes
CountriesUnited Kingdom
France
Germany
LanguageEnglish
Budget€30.8 million[3]
Box office$60.3 million[2]

For the J. J. Abrams film under the working title “Ghost Writer”, see Untitled J. J. Abrams film.

The Ghost Writer (released as The Ghost in the United Kingdom and Ireland) is a 2010 neo-noir[4] political thriller film directed by Roman Polanski.[5] The film is an adaptation of the 2007 novel, The Ghost, by Robert Harris with the screenplay written by Polanski and Harris. It stars Ewan McGregor in the title role with Pierce Brosnan, Kim Cattrall, and Olivia Williams.

The film was a critical and commercial success and won numerous cinematic awards including Best Director for Polanski at the 60th Berlin International Film Festival and also at the 23rd European Film Awards in 2010.[6]

Plot

A nameless British ghostwriter is hired by London-based publishing firm Rhinehart, Inc. to complete the autobiography of former British Prime Minister Adam Lang, after his original ghost Mike McAra, Lang’s aide, dies in a supposed drowning accident. The Ghost travels to Old Haven on Martha’s Vineyard, where Lang and his wife Ruth are staying at a complex with Lang’s personal assistant, Amelia Bly. As Lang’s time as prime minister is marred by his involvement in the War on Terror, the Ghost encounters anti-war demonstrators and activists who are protesting Lang’s presence on the island.

As the Ghost works on the book, former British Foreign Secretary Richard Rycart accuses Lang of authorizing the extraordinary rendition of terrorists. Lang faces prosecution by the International Criminal Court if he leaves the United States and has to leave for Washington, DC, when the Ghost finds a hidden envelope in McAra’s desk, containing photographs and a phone number. The evidence contradicts Lang’s claim that he and Ruth met at Cambridge University and the Ghost is surprised to find the phone number is Rycart’s.

The Ghost probes the death of McAra, whose body was found washed up on the shore of the island. He goes to investigate where McAra was found and is told by a resident the tides would not deposit a body on the beach. The Ghost grows more suspicious when Ruth reveals that Lang and McAra argued the night before he died. The Ghost asks to use McAra’s old car to return to his hotel, but instead follows re-programmed directions on the car’s satellite navigation system. This takes him to the Belmont home of Professor Paul Emmett, whom the Ghost questions. He denies ever having met McAra and having only a cursory acquaintance with him, becoming more evasive when the Ghost presents him with evidence that shows otherwise.

The Ghost attempts to return to Martha’s Vineyard, but remains on the mainland to escape thugs who follow him to the ferry. With no one else to turn to, the Ghost phones Rycart for help, who agrees to a meeting. The Ghost researches links between Emmett, a military contractor and the CIA, while Rycart reveals McAra discovered Lang’s involvement in so-called “torture flights”, in which terrorist suspects were tortured while airborne on private planes. When the Ghost discusses Emmett’s relationship with Lang, Rycart recounts how Lang’s decisions as Prime Minister uniformly benefited US interests, and says McAra found new evidence, which he wrote about in the “beginning of the manuscript”, but they find nothing written in the early pages.

Bly contacts the Ghost, offering to have him flown back to Old Haven aboard Lang’s private executive jet on its return from DC; Rycart encourages the Ghost to do so. On board, Lang angrily refutes the Ghost’s suggestion of him being recruited as a CIA agent by Emmett. When the plane lands in Old Haven, Lang is assassinated by an activist, and the Ghost is subsequently asked to complete the book for posthumous publication. At the book’s launch in London, the Ghost learns that Emmett, who is in attendance, was Ruth’s tutor when she was at Harvard. After Bly mentions the “beginnings” of the original manuscript, the Ghost inspects that the first word of each chapter, discovering the message, “Lang’s wife Ruth was recruited as a CIA agent by Professor Paul Emmett of Harvard University.” The Ghost passes a note to Ruth revealing his discovery, resulting in her becoming perturbed; she attempts to confront him but the Ghost leaves the building and attempts to flag down a taxi in the street, when a car accelerates in his direction and the pages of McAra’s original manuscript scatter in the wind.

Cast

Production

The North Sea ferry MS SyltExpress that was used as the Martha’s Vineyard ferry in the film

Polanski had originally teamed with Robert Harris for a film of Harris’s novel Pompeii,[7] but the project was cancelled because of the looming actors’ strike that autumn.[8][9]

Polanski and Harris then turned to Harris’s recent best seller, The Ghost. They co-wrote a script and in November 2007, just after the book’s release, Polanski announced filming for autumn 2008.[10] In June 2008, Nicolas Cage, Pierce Brosnan, Tilda Swinton and Kim Cattrall were announced as the stars.[11] Production was then postponed by a number of months, with Ewan McGregor and Olivia Williams replacing Cage and Swinton, respectively, as a result.

The film finally began production in February 2009 in Germany, at the Babelsberg Studios in Potsdam. Germany stood in for London and Martha’s Vineyard. The majority of exteriors, set on Martha’s Vineyard, were shot on the island of Sylt in the North Sea, and on the ferry MS SyltExpress. The harbor exterior were shot on both the German island of Sylt, and the Danish island of Rømø. The exterior set of the house where much of the film takes place, however, was built on the island of Usedom, in the Baltic Sea. Exteriors and interiors set at a publishing house in London were shot at Charlottenstrasse 47 in downtown Berlin (Mitte), while Strausberg Airport near Berlin stood in for the Vineyard airport.[12] A few brief exterior shots for driving scenes were shot by a second unit in Massachusetts, without Polanski or the actors.[13]

On his way to the Zurich Film Festival, Polanski was arrested by Swiss police in September 2009 at the request of the US and held for extradition. Due to Polanski’s arrest, post-production was briefly put on hold, but he resumed and completed work from house arrest at his Swiss villa. He was unable to participate in the film’s world premiere at the Berlinale festival on 12 February 2010.[14]

Non-fictional allusions

Pierce Brosnan plays the character of Adam Lang, who has echoes of former British Prime Minister Tony Blair. The character is linked to the 2003 invasion of Iraq, the war on terror and the special relationship with the United States. The author of the book on which the film is based has said he was inspired at least in part by anger toward Blair’s policies, and called for him to face war crimes trials.[15]

Robert Pugh, who portrayed the former British Foreign Secretary, Richard Rycart, and Mo Asumang, who played the US Secretary of State, both physically resemble their real-life counterparts, Robin Cook and Condoleezza Rice. Like the fictional Rycart, Cook had foreign policy differences with the British Prime Minister. The old man living on Martha’s Vineyard is a reference to Robert McNamara.[16]

Release

The film premièred at the 60th Berlin International Film Festival on 12 February 2010,[17] and was widely released throughout much of Europe during the following four weeks. It went on general release in the US on 19 March 2010 and in the UK on 16 April 2010.[18]

For the US theatrical release, the dialogue was censored and re-dubbed with tamer language in order to meet the Motion Picture Association‘s qualifications for a PG-13 rating.[19] The censored PG-13 version was later used for the US DVD and Blu-ray releases while the uncensored version was retained for most international DVD and Blu-ray releases.[20]

Reception

Box office

The film achieved only modest success, grossing $60.3 million[2] against a budget of $45 million.[2]

Critical response

The film has received positive reviews from critics. Review aggregator Rotten Tomatoes reported that 84% of critics gave positive reviews based on a sample of 210 reviews with an average rating of 7.4/10.[21] The website’s critics consensus reads, “While it may lack the revelatory punch of Polanski’s finest films, Ghost Writer benefits from stylish direction, a tense screenplay, and a strong central performance from Ewan McGregor.”[21] Another review aggregator, Metacritic, gave the film an average rating of 77% based on 35 reviews.[22] At the end of the year, the film placed at #4 in both Film Comment and The Village Voice‘s annual critics’ polls.[23][24]

Critic Andrew Sarris wrote that the film “constitutes a miracle of artistic and psychological resilience.”[25] Roger Ebert gave the film a full four stars and declared it was “the work of a man who knows how to direct a thriller.”[26] Jim Hoberman of The Village Voice placed the film at #3 on his year-end list and wrote that “The Pianist had its moments, but Polanski hasn’t made a movie so sustained in the decades since The Tenant or even 1966’s Cul de Sac.”[27] Jonathan Rosenbaum would later write that “The Ghost Writer is easily Polanski’s best film since Bitter Moon, and certainly his most masterful.”[28] Political analyst William Bradley dubbed it “one of the best films I’ve seen in recent years” in a review for The Huffington Post that dealt with the film’s artistic and political dimensions.[29] The Guardian said “Roman Polanski’s deft take on Robert Harris’s political thriller is the director’s most purely enjoyable film for years.”[30]

However, John Rentoul from the UK’s The Independent, who describes himself as an “ultra Blairite with a slavish admiration for Tony”, and John Rosenthal, from the conservative Pajamas Media, both denounced the film because it was made with financial support from the German government. Rentoul also criticized Polanski, describing the film as “propaganda” and a “Blair hating movie”.[31]

Keith Uhlich of Time Out New York named The Ghost Writer the second-best film of 2010, describing it as “what an expertly executed thriller is supposed to be.”[32]

Awards

Main article: List of accolades received by The Ghost Writer

The movie has won numerous awards, particularly for Roman Polanski as director, Ewan McGregor in the lead role, and Olivia Williams as Ruth Lang.

See also

References

  1.  “The Ghost Writer (2008)”. UniFrance. Retrieved 5 June 2021.
  2.  “The Ghost Writer”. Box Office Mojo. Retrieved 29 June 2024.
  3.  Malherbe, Clément; Veyret, Jessica; Jeanneau, Caroline (16 March 2011). “Films de fiction dont le coût est supérieur à 15 M€”. CNC (in French). p. 90.
  4.  Phillips, Gene D. (2012). Out of the Shadows: Expanding the Canon of Classic Film Noir. Scarecrow Press. p. 225. ISBN 9780810881891.
  5.  Movies.ie 6 April 2010: “Free Preview Screening the Ghost in Dublin”. Retrieved 30 January 2012
  6.  Brooks, Xan (5 December 2010). “Roman Polanski film The Ghost Writer dominates European awards”. The Guardian. Retrieved 14 April 2014.
  7.  Siegel, Tatiana (16 November 2010). “Roman Polanski returns with ‘Ghost’ – Entertainment News, Film News, Media”. Variety. Archived from the original on 16 November 2010. Retrieved 6 May 2020.
  8.  Rotten Tomatoes 12 September 2007: Roman Polanski Flees Pompeii. Retrieved 30 January 2012
  9.  Mr. Beaks (5 March 2010). “Mr. Beaks Interrogates The Ghost Writer Novelist-Screenwriter Robert Harris!”. Ain’t It Cool News. Retrieved 5 March 2011.
  10.  Siegel, Tatiana (7 November 2007). “Roman Polanski returns with ‘Ghost'”. Variety.
  11.  Fleming, Michael (25 June 2008). “Cage, Brosnan see Polanski’s ‘Ghost'”. Variety.
  12.  Database (undated). “Filming Locations for The Ghost Writer (2010)”. Internet Movie Database. Retrieved 5 March 2011.
  13.  The end credits list Wellfleet, Provincetown and Bourne, Massachusetts.
  14.  Verschuur, Paul; Pettersson, Edvard (28 September 2009). “Polanski Arrested in Switzerland on 1978 U.S. Warrant (Correct)”. Bloomberg. Archived from the original on 29 May 2012. Retrieved 5 March 2011.
  15.  Barbara Plett (19 March 2010). “How Realistic Is New Polanski Film The Ghost?”. BBC News. Retrieved 5 March 2011.
  16.  French, Philip (18 April 2010). “The Ghost—Roman Polanski’s Immaculately Crafted Adaptation of Robert Harris’s Bestseller Is a Chilling and Sinister Study of Power”. The Observer. London. Retrieved 5 March 2011. Oddly, as co-adaptors, Polanski and Harris have played down a character carefully signalled in the book. In the film, the 94-year-old Eli Wallach plays an elderly Vineyard resident who gives the ghost writer some vital information concerning the cove where the previous writer’s corpse washed up. In the novel, he is clearly identified as the former secretary of state Robert McNamara by his rimless glasses and hairstyle, his statement about war crimes (“We could all have been charged with those. Maybe we should have been.”) and a reference to a real event in 1972: “Hell, a guy tried to throw me off that damn ferry when I was still at the World Bank.” This explains Harris’s curious, ludic choice of the name McAra for the original ghost in the novel.
  17.  Berlin Film Festival Program
  18.  IMDb: Release dates for The Ghost Writer. Retrieved 30 January 2012
  19.  “The Ghost Writer”. movie-censorship.com. Retrieved 28 December 2020.
  20.  “The Ghost Writer”. dvdcompare.net. Retrieved 28 December 2020.
  21.  “The Ghost Writer (2010)”. Rotten Tomatoes. Fandango. Retrieved 10 October 2024. 
  22.  “The Ghost Writer Reviews”. Metacritic. Retrieved 21 February 2010.
  23.  “Film Comment’s End of Year Critics’ Poll 2010”. Film Comment. Retrieved 28 December 2020.
  24.  “Film Poll: Top 10 Movies By Year, 1999-2016”. The Village Voice. 13 February 2018. Retrieved 28 December 2020.
  25.  Filmlinc.com Archived 9 May 2010 at the Wayback Machine
  26.  Ebert, Roger (24 February 2010). “The Ghost Writer”. Chicago Sun-Times. Archived from the original on 13 April 2010. Retrieved 5 March 2011.
  27.  “Year in Film: Hoberman’s Top 10”. The Village Voice. 22 December 2010. Retrieved 28 December 2020.
  28.  “Sex Games (on Polanski’s BITTER MOON)”. Jonathan Rosenbaum. Retrieved 28 December 2020.
  29.  Bradley, William (22 March 2010). “The Ghost(s): Of Tony Blair, Roman Polanski, and A War on Terror”. HuffPost. Retrieved 5 March 2011.
  30.  Bradshaw, Peter (12 February 2010). “The Ghost Writer”. The Guardian. Retrieved 14 April 2014.
  31.  Rentoul, John (26 May 2010). “I Was Wrong About The Ghost”. Independent Minds (blog via LiveJournal). Archived from the original on 19 August 2011. Retrieved 5 March 2011.
  32.  Uhlich, Keith (21 December 2010). “Best (and Worst) of 2010”. Time Out New York. Archived from the original on 11 March 2013. Retrieved 21 June 2020.

Further reading

Wikimedia Commons has media related to The Ghostwriter.

Wikiquote has quotations related to The Ghost Writer (film).

vteRoman Polanski
vteRobert Harris
Awards for The Ghost Writer
vteTony Blair
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