BEACH BABY/ FIRST CLASS
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Beach Baby
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From Wikipedia, the free encyclopedia
| “Beach Baby” | |
|---|---|
| Single by The First Class | |
| from the album Beach Baby | |
| B-side | “Both Sides of the Story” |
| Released | 3 May 1974 |
| Genre | Bubblegum pop |
| Length | 3:11 (Single Edit) 4:53 (Single Version) 5:03 (Album Version) |
| Label | UK Records |
| Songwriter(s) | John Carter and Gillian Shakespeare |
| Producer(s) | John Carter for Sunny Records Ltd. |
| The First Class singles chronology | |
| “Beach Baby“ (1974)”Bobby Dazzler” (1974) | |
“Beach Baby” is a song by the British band The First Class. Written by John Carter and his wife, Gillian (Jill) Shakespeare, the song became the band’s only substantial hit. The subject of the lyrics is not holiday love, but a broken love relationship between two high school students in Los Angeles in the 1950s.
Background
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Carter and Shakespeare wrote “Beach Baby” in their home in East Sheen, South West London. Shortly afterward, Carter hired lead singer Tony Burrows and session singer Chas Mills to record it under the band name The First Class. Burrows attempts to sing the tune in an American accent, reflecting the song’s California setting.
Toward the end of the song are two instrumental quotations, both on the French horn: the main theme from the last movement of Sibelius‘s Fifth Symphony, and the tune of the title line from one of Carter’s previous compositions, “Let’s Go to San Francisco“, a 1967 hit for The Flower Pot Men. The estate of Jean Sibelius filed a lawsuit against the song’s writers, for infringing on the copyright of the Sibelius piece. The case was settled out of court, with the Sibelius estate receiving half of the song’s proceeds.
Because the running time was over five minutes, several AM radio stations edited “Beach Baby” by fading it out during the second instrumental bridge. The fade outs took on some importance, helping to avoid further legal implications.
In the 31 August 1974 edition of American Top 40, Casey Kasem claimed:[1]
“Now on American Top 40, I have that song that was launched by a criminal act, an act that could have cost the owner of a British record company at least a stiff fine [sic]. He’s also a recording artist, Jonathan King. He’s known to Americans as the guy who hit back in 1965 with ‘Everyone’s Gone to the Moon‘, remember? Well, since then he’s become a successful producer in England, and he started his own label a couple of years ago. Last year, during the United Kingdom’s severe energy crisis, a songwriter came to Jonathan’s house with a master tape of a new song that he’d just recorded, but he’d come on a bad day of the week. You see, it was a day when Britons were prohibited from using electricity because of the power shortage. But something told King to take a chance. He invited the artist to come in, and, in a room lit only by candles, keeping the volume turned way down, he listened to that tape, and he knew he’d bought a hit song. Here it is, up to #25 this week, ‘Beach Baby’ by First Class.”
The 21 September 1974 edition of the program added the detail that the song was recorded in London on 24 December 1973.
An engineer who was involved in the recording session recalls: “The recording was made in February 1974 at Lansdowne Studios, Holland Park, London. Tony Burrows was singing, John Carter producing and & Paul Holland engineering. At the time, I was a house assistant engineer & remember being very impressed with the high level of professionalism and ability of the visiting engineer Paul Holland, who I had never met before. I don’t believe that he sat down at any time during the session ! – If my memory serves me right, the recording was completed in one evening session.”[2][failed verification]
Although the band went on to release two studio albums and a multitude of singles, they were unable to recreate the success of “Beach Baby”.
Legacy
[edit]
In the online magazine Freaky Trigger, Robin Carmody wrote that the song marked the end of the original wave of British bubblegum pop, indicating the transition into a period of pastiche “and paying tribute to the American pop of a decade or so before, rather than being gloriously unselfconscious and picking up on what was hot at that moment, always a sign that a genre has reached the end of line.” He deemed it a “fantastically-produced slice of Californian fantasypop – orchestra, brass, lavish vocal harmonies, already a tribute song to a vanished era at the time.”[3] Further including it in a list of the genre’s classics, he described it as “Britgum’s dying fall: put the fade on repeat play and hear pop, for the first time, become pure period pastiche. [4]
Chart performance
[edit]
In 1974, the song peaked at #13 in the UK,[5] #4 in the US, and #1 in Canada.[6]
| Weekly singles charts[edit]Chart (1974-1975)Peak positionAustralia (Kent Music Report)[7][8]11Canada RPM Top Singles[6]1Ireland (IRMA)[9]19South Africa (Springbok)[10]8UK[5]13U.S. Billboard Hot 1004U.S. Billboard Adult Contemporary[11]38U.S. Cash Box Top 1003 | Year-end charts[edit]Chart (1974)RankCanada [12]36U.S. Billboard [13]94U.S. Cash Box [14]53Chart (1975)RankAustralia (Kent Music Report)[7]59 |
Covers
[edit]
- It was subsequently recorded in French by Sacha Distel under the title “Vite, Chérie, Vite”.
See also
[edit]
References
[edit]
- ^ “American Top 40 August 31 1974 with Casey Kasem (11:23 – 12:23)”. YouTube. Retrieved 2019-08-30.[dead link]
- ^ “Mark Dearnley”. Mark Dearnley. Retrieved 2022-12-17.
- ^ Carmody, Robin (1 January 2002). “The Cottage Industry of Moments”. Freaky Trigger. p. 2. Retrieved 20 November 2022.
- ^ Carmody, Robin (1 January 2002). “The Cottage Industry of Moments”. Freaky Trigger. p. 3. Retrieved 20 November 2022.
- ^ Jump up to:a b Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 200. ISBN 1-904994-10-5.
- ^ Jump up to:a b “Image : RPM Weekly – Library and Archives Canada”. Bac-lac.gc.ca. 12 October 1974. Retrieved 2016-10-09.
- ^ Jump up to:a b “National Top 100 Singles for 1975”. Kent Music Report. 29 December 1975. Retrieved 15 January 2022 – via Imgur.
- ^ Steffen Hung. “Forum – 1970 (ARIA Charts: Special Occasion Charts)”. Australian-charts.com. Archived from the original on 2016-06-02. Retrieved 2016-10-09.
- ^ “The Irish Charts – Search Results – Beach Baby”. Irish Singles Chart. Retrieved September 2, 2018.
- ^ “South African Rock Lists Website – SA Charts 1969 – 1989 Songs (A-B)”.
- ^ Whitburn, Joel (1993). Top Adult Contemporary: 1961–1993. Record Research. p. 86.
- ^ “Image : RPM Weekly – Library and Archives Canada”. Bac-lac.gc.ca. 17 July 2013. Retrieved 2017-07-09.
- ^ “Top 100 Hits of 1974/Top 100 Songs of 1974”. Musicoutfitters.com. Retrieved 2016-10-09.
- ^ “Top 100 Year End Charts: 1974”. Cashbox Magazine. Archived from the original on 2012-09-27. Retrieved 2015-07-16.
External links
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