PAPER MOON
Contents
hide
- (Top)
- Plot
- Cast
- Production
- Release
- Reception
- Other media
- Legacy
- See also
- Notes
- References
- External links
Paper Moon (film)
Appearancehide
Text
- SmallStandardLarge
Width
- StandardWide
Color
- AutomaticLightDark
From Wikipedia, the free encyclopedia
| Paper Moon | |
|---|---|
 Theatrical release poster | |
| Directed by | Peter Bogdanovich |
| Screenplay by | Alvin Sargent |
| Based on | Addie Pray by Joe David Brown |
| Produced by | Peter Bogdanovich |
| Starring | Ryan O’NealMadeline KahnJohn HillermanTatum O’Neal |
| Cinematography | László Kovács |
| Edited by | Verna Fields |
| Production companies | The Directors CompanySaticoy Productions |
| Distributed by | Paramount Pictures |
| Release dates | April 9, 1973 (Hollywood)May 9, 1973 (United States) |
| Running time | 102 minutes |
| Country | United States |
| Language | English |
| Budget | $2.5 million[1] |
| Box office | $30.9 million[2] |
Paper Moon is a 1973 American road comedy-drama film directed by Peter Bogdanovich and released by Paramount Pictures. Screenwriter Alvin Sargent adapted the script from the 1971 novel Addie Pray by Joe David Brown. The film, shot in black-and-white, is set in Kansas and Missouri during the Great Depression. It stars the real-life father and daughter pairing of Ryan and Tatum O’Neal as protagonists Moze and Addie.
Tatum O’Neal received widespread praise from critics for her performance as Addie, earning her the Academy Award for Best Supporting Actress, making her the youngest competitive winner in the history of the Academy Awards.
Plot
In Gorham, Kansas, circa 1936, itinerant con man Moses Pray meets nine-year-old Addie Loggins at her mother’s graveside service, where the neighbors suspect he is Addie’s father. He denies this, but agrees to deliver the orphaned Addie to her aunt’s home in St. Joseph, Missouri.
At a local grain mill, Moses convinces the brother of the man who accidentally killed Addie’s mother to give him $200 for the newly orphaned Addie. Addie overhears this conversation and, after Moses spends nearly half the money fixing his old Model A convertible and buying her a train ticket, she demands the money as rightfully hers, whereupon Moses agrees to let Addie travel with him until he has raised back the full $200 to give to her. Thereafter, Moses visits recently widowed women, pretending to have previously sold expensive, personalized Bibles to their deceased husbands, and the widows pay him for the Bibles inscribed with their names. Addie joins the scam, pretending she is his daughter, and exhibits a talent for confidence tricks, such as selling Bibles and the quick change scam. As time passes, Moses and Addie become a formidable team.
One night, Addie and “Moze” (as Addie addresses him) stop at a local carnival, where Moze becomes enthralled with an “exotic dancer” named Miss Trixie Delight and leaves Addie at a photo booth to have her photograph taken alone (of herself sitting on a crescent moon, to suggest the film’s title). Much to Addie’s chagrin, Moze invites “Miss Trixie”—and her downtrodden teenage maid, Imogene—to join Addie and him. Addie soon becomes friends with Imogene and jealous of Trixie. Imogene reveals that Trixie works, at least occasionally, as a prostitute, and it is suggested she has a venereal disease causing her a frequent need to urinate. When Addie subsequently discovers that Moze has spent their money on a brand-new Model 48 convertible to impress Miss Trixie, she and Imogene devise a plan. They convince a clerk at the hotel where the group is staying to visit Trixie. Addie then sends Moze up to Trixie’s room, where he discovers the clerk and Trixie having sex. Moze promptly leaves Miss Trixie and Imogene behind, with Addie leaving Imogene enough money to pay for her own passage home.
While staying at another hotel in a rural area, Moze uncovers a bootlegger‘s store full of whiskey, steals some of it, and sells it back to the bootlegger. Unfortunately, the bootlegger’s twin brother is the local sheriff, and he quickly arrests Addie and Moze. Addie hides their money in her hat, steals back the key to their car, and the pair escape. To elude pursuit, they trade their new car for a decrepit Model T farm truck after Moze beats a hillbilly, Leroy, in a “rasslin’ match”.
Moze and Addie make it across the state line to Missouri, where Moze sets up another swindle, only to be caught again by the sheriff and his deputies; outside their jurisdiction and unable to make an arrest, they beat Moze and rob him of his and Addie’s savings. Humiliated and defeated, Moze drops Addie at the house of her aunt in St. Joseph, but a disappointed Addie rejoins him on the road. When he refuses her company, she reminds him that he still owes her $200 and points out that his truck has just rolled away without him. They catch the truck and leave together.
Cast
- Ryan O’Neal as Moses “Moze” Pray
- Tatum O’Neal as Addie Loggins
- Madeline Kahn as Trixie Delight
- John Hillerman as Deputy Hardin/Jess Hardin
- Burton Gilliam as Floyd
- P.J. Johnson as Imogene[3]
- James N. Harrell as The Minister
- Noble Willingham as Mr. Robertson
- Randy Quaid as Leroy
- Hugh Gillin as 2nd Deputy
- Rose-Mary Rumbley as Aunt Billie[4]
Production
Director
The film project was originally associated with John Huston and was to star Paul Newman and his daughter Nell Potts, a child actor at the time. However, when Huston left the project, the Newmans became dissociated from the film as well.[5] Peter Bogdanovich had just completed What’s Up, Doc? and was looking for another project when his ex-wife and frequent collaborator Polly Platt recommended filming Joe David Brown’s script for the novel Addie Pray. Bogdanovich, a fan of period films, and having two young daughters of his own, found himself drawn to the story, and selected it as his next film.[6]
Casting
At the suggestion of Polly Platt, Bogdanovich approached eight-year-old Tatum O’Neal to audition for the role, although she had no acting experience. Bogdanovich had worked with Tatum’s father Ryan O’Neal on What’s Up, Doc?, and decided to cast them as the leads.[6]
Screenplay
Various changes were made in adapting the book to film. Addie’s age was reduced from twelve to nine to accommodate young Tatum, several events from the book were combined for pacing issues, and the last third of the novel, when Moses and Addie graduate to the big leagues as con artists after going into partnership with a fake millionaire, was dropped. The location was also changed from the rural Deep South of the novel—primarily Alabama—to midwestern Kansas and Missouri.[6]
Filming locations
The film was shot in the small towns of Hays, Kansas; McCracken, Kansas; Wilson, Kansas; Dorrance, Kansas, and St. Joseph, Missouri. Various shooting locations include the Midland Hotel at Wilson, Kansas; the railway depot at Gorham, Kansas; storefronts and buildings on Main Street in White Cloud, Kansas; Hays, Kansas; sites on both sides of the Missouri River; Rulo Bridge; and St. Joseph, Missouri.
Props
The car Moses is driving when he agrees to take Addie home is a 1930 Ford Model A convertible; the car Moses buys to impress Miss Trixie is a 1936 Ford V8 De Luxe convertible.[7] The whiskey being sold by the bootlegger shown toward the end of the film is Three Feathers blended whiskey, a label introduced by Oldtyme Distilling Corp. in 1882 and still produced up to the 1980s.[8] The bottle of soda pop Addie drinks is from Nehi Soda, by a company founded as Chero-Cola in 1910, in 1925 renamed Nehi Corporation, which became Royal Crown Company and later Dr Pepper/Seven Up, then Dr Pepper Snapple Group.
Title
Peter Bogdanovich also decided to change the name of the film from Addie Pray. While selecting music for the film, he heard the song “It’s Only a Paper Moon” by Billy Rose, Yip Harburg, and Harold Arlen. Seeking advice from his close friend and mentor Orson Welles, Bogdanovich listed Paper Moon as a possible alternative. Welles responded: “That title is so good, you shouldn’t even make the picture, you should just release the title!”[6] Bogdanovich added the scene in which Addie has her picture taken in a paper moon solely so the studio would allow him to use the title.[9]
Cinematography and editing
Director of photography László Kovács used a red filter on the camera on Orson Welles’s advice. Bogdanovich also used deep focus cinematography and extended takes in the film.[6]
Release
The film was released on April 9, 1973, in Hollywood and May 9 in the United States.
The film released on VHS in 1980, re-released 1984, and re-released again in 1995. The LaserDisc released on 1982 and Director Series on May 7, 1995. The DVD released on August 12, 2003. The Criterion Collection released the film on 4K and Blu-ray on November 26, 2024.[10]
Reception
Box office
The film earned an estimated $13 million in North American theater rentals in 1973 (equivalent to $94 million in 2025).[11]
Critical response
Vincent Canby of The New York Times praised “two first-class performances” from Ryan and Tatum O’Neal but found the film “oddly depressing” and unable to “make up its mind whether it wants to be an instant antique or a comment on one”.[12] Roger Ebert gave the film his top four-star rating and commented that “a genre movie about a con man and a little girl is teamed up with the real poverty and desperation of Kansas and Missouri, circa 1936. You wouldn’t think the two approaches would fit together, somehow, but, they do, and the movie comes off as more honest and affecting than if Bogdanovich had simply paid tribute to older styles”.[13] Gene Siskel gave the film three-and-a-half stars out of four and wrote that Tatum O’Neal “is more than cute. Her role is something special in the well-established tradition of children on film.”[14]
Arthur D. Murphy in Variety called Tatum O’Neal “outstanding” and added, “Alvin Sargent’s screenplay is a major contributor to the overall excellent results”.[15] Charles Champlin of the Los Angeles Times wrote that Tatum O’Neal was “just plain marvelous and Paper Moon is a tough, funny, beautifully calculated diversion”.[16] Gary Arnold of The Washington Post wrote that the film “may prove a keen disappointment if you go with high expectations. At its best the film is only mildly amusing, and I’m not sure I could come up with a few undeniable highlights if pressed on the point”.[17] Tom Milne in The Monthly Film Bulletin called the film “very easy to take, especially as Alvin Sargent’s dialogue has a nice edge of wit. The trouble is that the film covers all the ground it is going to cover in the scene in the restaurant near the beginning when we, with Ryan O’Neal, first realise that the sweetly awful child is going to be more than a match for him as far as wits are concerned”.[18]
On the review aggregator website Rotten Tomatoes, 90% of 51 critics’ reviews are positive, with an average rating of 8.7/10. The website’s consensus reads: “Expertly balancing tones, Paper Moon is a deft blend of film nostalgia and finely tuned performances — especially from Tatum O’Neal, who won an Oscar for her debut.”[19] Metacritic assigned a weighted average score of 77 out of 100 based on eight critics, indicating “generally favorable reviews”.[20]
Awards and nominations
.jpg)
At the 1974 ceremony, Tatum O’Neal won the Academy Award for Best Supporting Actress, making her the youngest competitive Academy Award winner as of 2026 (at age 10).[21]
Other media
In September 1974, a television series called Paper Moon, based on the film, premiered on the ABC television network, with Jodie Foster cast as Addie and Christopher Connelly (who had appeared as O’Neal’s brother in the earlier ABC series, Peyton Place) playing Moses. It was not a ratings success, and its thirteenth and last new episode aired in December 1974.[27][28][29]
A stage musical adapted from the film and Addie Pray was produced at the Paper Mill Playhouse in 1993. The show featured a book by Martin Casella, music by Larry Grossman, and lyrics by Ellen Fitzhugh and Carol Hall, and was directed by Matt Casella. The cast included Gregory Harrison, Christine Ebersole, Brooks Ashmanskas, and Christopher Sieber.[30][31]
In The Simpsons episode “The Great Money Caper“, Homer and Bart conduct a series of cons, initially to pay to repair the family car. Their attempt to con Ned Flanders by claiming delivery of a personalised Bible ordered by his late wife Maude and requesting reimbursement unravels when Ned realises the con’s similarity to that in the film Paper Moon, at which point Homer and Bart bolt.
Legacy
The head writer of the television series Obi-Wan Kenobi, Joby Harold, looked at the films Paper Moon and Midnight Run as influences for Obi-Wan Kenobi and Leia Organa‘s relationship after the latter’s rescue.[32]
See also
Notes
- Tied with Barbra Streisand for The Way We Were.
References
Citations
- Terry, Clifford (January 7, 1973). “Bogdanovich in the Flat Lands”. Chicago Tribune Magazine. p. I39. Retrieved May 25, 2022.
- “Paper Moon, Box Office Information”. The Numbers. Archived from the original on May 31, 2012. Retrieved January 17, 2012.
- Klemesrud, Judy (May 16, 1973). “How an Overweight 15‐Year‐Old Found Happiness on a Movie Set”. The New York Times.
- “Rose-Mary Rumbley”. IMDb. Archived from the original on February 15, 2017. Retrieved February 4, 2020.
- Stafford, Jeff (January 24, 2006). “Paper Moon”. Turner Classic Movies. Retrieved April 16, 2026.
- Bogdonavitch, Peter (1973). Paper Moon (Special Features) (DVD). Paramount Pictures.
- “Paper Moon, 1973”. Internet Movie Cars Database. Archived from the original on January 16, 2018. Retrieved November 19, 2019.
- “LIQUOR: The Schenley Reserves”. Time. September 29, 1952. ISSN 0040-781X. Retrieved November 19, 2019.
- Johnson, Mark (August 27, 2015). Episode 632 – Peter Bogdanovich (Podcast). WTF with Marc Maron Podcast. Retrieved April 16, 2026.
- “Paper Moon (1973)”. The Criterion Collection. Retrieved August 24, 2024.
- “Big Rental Films of 1973”. Variety. January 9, 1974. p 19.
- Canby, Vincent (May 17, 1973). “Bogdanovich’s ‘Paper Moon’ at Coronet”. The New York Times. p. 53.
- Ebert, Roger (June 15, 1973). “Paper Moon”. Chicago Sun-Times. Archived from the original on May 1, 2021. Retrieved December 17, 2018 – via RogerEbert.com.
- Siskel, Gene (June 15, 1973). “He’s just mad about Addie”. Chicago Tribune. p. 39. Archived from the original on October 19, 2019. Retrieved April 16, 2026.
- Murphy, Arthur D. (April 18, 1973). “Paper Moon”. Variety. p. 22.
- Champlin, Charles (June 13, 1973). “‘Paper Moon’—Real Star”. Los Angeles Times. p. D1.
- Arnold, Gary (June 15, 1973). “A Hollow ‘Paper Moon'”. The Washington Post. B1.
- Milne, Tom (January 1974). “Paper Moon”. The Monthly Film Bulletin. 41 (480): 13.
- “Paper Moon“. Rotten Tomatoes. Fandango Media. Retrieved January 4, 2025.
- “Paper Moon Reviews“. Metacritic. Fandom, Inc. Retrieved April 4, 2021.
- “The 46th Academy Awards (1974) Nominees and Winners”. Academy of Motion Picture Arts and Sciences. Archived from the original on April 2, 2015. Retrieved October 2, 2011.
- “Paper Moon”. Golden Globe Awards. Retrieved August 25, 2025.
- “KCFCC Award Winners – 1970-79”. Kansas City Film Critics Circle. Retrieved August 25, 2025.
- “1973 Award Winners”. National Board of Review. Retrieved August 25, 2025.
- “Past Awards”. National Society of Film Critics. December 19, 2009. Retrieved August 25, 2025.
- “Awards Winners”. wga.org. Writers Guild of America Awards. Archived from the original on October 1, 2006. Retrieved June 6, 2010.
- McNeil, pp. 540–541.
- Brooks & Marsh, p. 795.
- “CTVA US Comedy – “Paper Moon” (ABC)(1974-75) Christopher Connelly, Jodie Foster”. ctva.biz. Retrieved April 16, 2026.
- Daniels, Robert L. (September 27, 1993). “Paper Moon”. Variety. Retrieved December 27, 2023.
- Klein, Alvin (September 26, 1993). “THEATER; ‘Paper Moon’ Changes Its Outlook as a Musical”. New York Times. Retrieved December 27, 2023.
- Breznican, Anthony (June 3, 2022). “Obi-Wan Kenobi: Darth Vader Was Originally Even More Terrifying”. Vanity Fair. Archived from the original on June 3, 2022. Retrieved December 21, 2023.
Bibliography
- Brooks, Tim & Marsh, Earle (1995). The Complete Directory to Prime Time Network TV Shows: 1946-Present. Ballantine Books. ISBN 0-345-39736-3.
- McNeil, Alex (1996). Total Television. Penguin Books USA, Inc. ISBN 0-14-02-4916-8.
External links
Wikiquote has quotations related to Paper Moon (film).
- Paper Moon on Facebook
- Paper Moon at IMDb
- Paper Moon at the TCM Movie Database (archived)
- Paper Moon at the AFI Catalog of Feature Films
- Paper Moon at Rotten Tomatoes
- Bogdanovich Receives Visionary Award (Wayback Machine copy)
| vtePeter Bogdanovich | |
|---|---|
| Filmography | |
| Feature films | Targets (1968)The Last Picture Show (1971)What’s Up, Doc? (1972)Paper Moon (1973)Daisy Miller (1974)At Long Last Love (1975)Nickelodeon (1976)Saint Jack (1979)They All Laughed (1981)Mask (1985)Illegally Yours (1988)Texasville (1990)Noises Off (1992)The Thing Called Love (1993)The Cat’s Meow (2001)She’s Funny That Way (2014) |
| Documentary films | Directed by John Ford (1971)Runnin’ Down a Dream (2007)The Great Buster: A Celebration (2018) |
| Television films | To Sir, with Love II (1996)The Price of Heaven (1997)Rescuers: Stories of Courage: Two Women (1997)Naked City: A Killer Christmas (1998)A Saintly Switch (1999)The Mystery of Natalie Wood (2004)Hustle (2004) |
| Books | Pieces of Time (1973)The Killing of the Unicorn (1984)This Is Orson Welles (1992) |
| Other | The Wild Angels (1966)Voyage to the Planet of Prehistoric Women (1968)One Day Since Yesterday (2014, documentary)Wait for Me (2018, unproduced) |
- 1973 films
- 1970s crime comedy-drama films
- 1970s road comedy-drama films
- American black-and-white films
- American crime comedy-drama films
- American road comedy-drama films
- 1973 English-language films
- Films about con artists
- Films about orphans
- Films adapted into television shows
- Films based on American novels
- Films directed by Peter Bogdanovich
- Films featuring a Best Supporting Actress Academy Award–winning performance
- Films produced by Frank Marshall
- Films set in the 1930s
- Films set in Kansas
- Films set in Missouri
- Films shot in Kansas
- Films shot in Missouri
- Films with screenplays by Alvin Sargent
- Great Depression films
- Paramount Pictures films
- 1973 American films
- 1973 comedy-drama films
- English-language crime comedy-drama films
- English-language road comedy-drama films
- 1973 black-and-white films
