↓
 
Home→New Essays→BREAKFEST AT TIFFANY’S

BREAKFEST AT TIFFANY’S

56thst.com Posted on by
Wikipedia
The Free Encyclopedia

Search

Contents

hide

Breakfast at Tiffany’s (film)

Tools

Appearancehide

Text

  • SmallStandardLarge

Width

  • StandardWide

Color (beta)

  • AutomaticLightDark

From Wikipedia, the free encyclopedia

Breakfast at Tiffany’s
Theatrical release poster
Directed byBlake Edwards
Screenplay byGeorge Axelrod
Based onBreakfast at Tiffany’s
by Truman Capote
Produced byMartin JurowRichard Shepherd
StarringAudrey HepburnGeorge PeppardPatricia NealBuddy EbsenMartin BalsamMickey Rooney
CinematographyFranz F. Planer
Edited byHoward Smith
Music byHenry Mancini
Production
companies		Jurow-ShepherdSpinel Entertainment
Distributed byParamount Pictures
Release dateOctober 5, 1961
Running time114 minutes[1]
CountryUnited States
LanguageEnglish
Budget$2.5 million
Box office$14 million

Breakfast at Tiffany’s is a 1961 American romantic comedy film directed by Blake Edwards from a screenplay by George Axelrod and based on the 1958 novella by Truman Capote. It stars Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen, Martin Balsam, and Mickey Rooney. In the film, Holly Golightly (Hepburn), a naïve, eccentric socialite, meets Paul Varjak (Peppard), a struggling writer who moves into her apartment building.

Development for the film began soon after the publication of Capote’s novel, with several actors, including Marilyn Monroe, Shirley MacLaine, Kim Novak, Steve McQueen, Jack Lemmon, and Robert Wagner, considered for the lead roles prior to Hepburn and Peppard being cast. The screenplay, which deviates from Capote’s novella, was originally completed by Axelrod and director John Frankenheimer, who was replaced by Edwards well into pre-production. Principal photography began on October 2, 1960, with filming taking place in New York City and at the Studios at Paramount in Hollywood, California. The film’s music was composed by Henry Mancini and its theme song, “Moon River“, was written by Johnny Mercer.

Breakfast at Tiffany’s was released in the United States on October 5, 1961, by Paramount Pictures. It grossed $14 million worldwide and received critical acclaim for its music and Hepburn’s style and performance, being nominated for five Academy Awards, including Best Actress for Hepburn, and winning two (Music Score of a Dramatic or Comedy Picture and Best Song for Mancini). The film also received numerous other accolades, although Rooney’s portrayal of the character I. Y. Yunioshi garnered significant subsequent controversy for being perceived as racist. In 2012, the film was preserved in the U.S. National Film Registry by the Library of Congress.

Plot

Fending off a date from the night before, Holly Golightly visits the Tiffany & Co. flagship store but her date finds her at her apartment building. Holly, who cannot find her keys, buzzes her landlord, Mr. Yunioshi, to let her in. Holly meets her new neighbor Paul Varjak as she readies to leave for her weekly visit to incarcerated mobster Sally Tomato. Tomato’s lawyer pays her $100[a] a week to deliver “the weather report”. Holly meets Paul’s “decorator” Emily Eustace Failenson, a wealthy older woman, whom Paul nicknames “2E”. That night, when Holly crawls out onto the fire escape to elude an over-eager date, she sees 2E leaving Paul money and kissing him goodbye.

Holly visits Paul and learns he is a writer who has not had anything published in five years, and has no ribbon in his typewriter. Holly explains she is saving money to support her brother, Fred, after he completes his Army service. The pair fall asleep but are awakened when Holly has a nightmare about Fred. When Paul questions her about this, Holly chides him for prying. Holly buys Paul a typewriter ribbon to apologize, and invites him to a party at her apartment. There, he meets her Hollywood agent, Berman, who describes Holly’s transformation from a country girl into a Manhattan “socialite“, along with wealthy Brazilian politician José da Silva Pereira and the wealthy American Rusty Trawler.

Some time later, 2E enters Paul’s apartment, worried about someone loitering outside the building. Paul confronts the elderly man who explains he is Holly’s husband, Doc Golightly. Doc informs him that Holly ran away and he has come to take her back to rural Texas. After Paul reunites them, Holly informs Paul the marriage was annulled and she declines to return with Doc. After drinking at a club, Paul and Holly return to her apartment, where she tells him she plans to marry Trawler for his money. A few days later, Paul learns a short story inspired by Holly will be published. On the way to tell Holly, he sees a newspaper headline stating that Trawler has married someone else.

Holly and Paul agree to spend the day together, taking turns doing things each has never done before. At Tiffany’s, he has the ring from a box of Cracker Jack engraved as a present for her. After spending the night together, Paul awakens to find Holly gone. 2E arrives and calmly accepts when he ends their affair, realizing he loves Holly. Returning from a date with José, Holly learns Fred has been killed and trashes her apartment.

Months later, Holly readies to move to Brazil and marry José but is arrested in connection to a drug ring run by Sally Tomato. Berman pays her bail and Paul picks her up in a cab with all her things, including her nameless pet cat, and a breakup letter from José. Holly decides to go to Brazil anyway, breaking bail, as Paul declares that he loves her. Resistant to being in a relationship, Holly chastises him and releases the cat into an alley. Paul storms out of the cab, leaving the engraved ring with Holly. After she puts it on, Holly runs back to the alley, where Paul is looking for the cat. After Holly finds him, she cradles him in her coat and, smiling, walks into Paul’s embrace.

Cast

Audrey Hepburn as Holly Golightly

Production

Development

After Paramount producers Martin Jurow and Richard Shepherd optioned the film rights to Capote’s novella, they hired Sumner Locke Elliott to write its screenplay. Although this was generally faithful to the source material, Jurow and Shepherd disliked it and he was replaced by George Axelrod. Axelrod, who previously made structural changes to the source material while adapting The Seven Year Itch (1955), worked with Jurow and Shepherd to deviate from Capote’s novella. This included altering its plot and tone to be a romantic comedy, replacing its unnamed gay narrator with a named, heterosexual male love interest, adding new characters, and reducing the gay subtext.[3]

Capote wanted Marilyn Monroe to play Holly Golightly: he considered Monroe to best reflect the character,[4] with Axelrod required to “tailor” the screenplay to accommodate Monroe. Monroe declined to star in the film, opting for The Misfits (1961), after theatre director Lee Strasberg advised her that playing a “lady of the evening” would be bad for her image.[5] The role was then offered to Shirley MacLaine, who turned it down in favor of starring in Two Loves (1961),[6] and Kim Novak also turned it down.[7]

Capote was angry at the studio’s eventual decision, remarking, “Paramount double-crossed me in every way and cast Audrey”.[8][9][10] Hepburn was hesitant to star in the film, citing difficulty playing an extroverted character.[11][12] Steve McQueen was offered the role of Paul Varjak, but declined the offer due to being under contract with United Artists,[13] and Jack Lemmon was also approached, but was unavailable. Robert Wagner was also considered.[14]

The film’s original director, John Frankenheimer, worked with Axelrod for three months on the project before he was replaced by Edwards after Hepburn’s agent requested a higher-profile director.[15] Edwards also supported Axelrod’s changes to the novella, stating the changes made were for “audience approval”.[3]

Filming

Hepburn outside the Tiffany & Co. flagship store during the film’s opening sequence.

Filming began on Fifth Avenue outside the Tiffany & Co. flagship store on October 2, 1960.[16] Most of the exteriors were filmed in New York City, and all of the interiors, except for portions set inside Tiffany & Co., were filmed on the Paramount Studios lot in Hollywood.[17]

According to one report, the film’s on-location opening sequence outside Tiffany & Co. was extremely difficult to shoot, due to issues related to crowd control, Hepburn’s dislike of pastries, and an accident that nearly resulted in the electrocution of a crew member. However, another report claims the sequence was captured rather quickly, owing to an unexpected lull in city traffic.[18]

Music

Main article: Breakfast at Tiffany’s: Music from the Motion Picture

It took me time to figure out what Holly Golightly was all about. I don’t drink much, but I was sipping and it came to me one night. I wrote [the song] in half an hour.

Henry Mancini on writing “Moon River“.[19]

During the film, Hepburn sang the film’s signature song, “Moon River“, written by Henry Mancini and Johnny Mercer. The song was tailored to Hepburn’s limited vocal range and its sequencing was inspired by songs she performed in Funny Face (1957).[20] After the film’s test preview in San Francisco, Martin Rankin, Paramount’s head of production, wanted “Moon River” replaced with music sung by somebody else. Shepherd claimed he and Jurow refused to replace it – a response attributed to Hepburn herself in another account.[21][22]

According to Time, Mancini “sets off [the] melodies with a walking bass, extends them with choral and string variations and varies them with the brisk sounds of combo jazz. “Moon River” is sobbed by a plaintive harmonica, repeated by strings, hummed and then sung by the chorus and finally resolved with the harmonica.”[19] The soundtrack featured a score composed and conducted by Mancini, with several unreleased musical compositions not featuring in the final film. One piece, “Carousel Cue”, appears in a deleted scene, while another piece titled “Outtake 1” also appears in a deleted scene. In 2013, Intrada Records released the complete score in its original film performance: as with many soundtrack albums from the time period, the album initially released alongside the film was a re-recording.

Release

Breakfast at Tiffany’s was theatrically released by Paramount Pictures on October 5, 1961.

Home media

The film was first released on VHS in 1989 and on DVD in 2001, and was one of the first films featuring Hepburn released on home video. On February 7, 2006, a 45th anniversary special edition DVD was released in North America, containing featurettes not included on the prior releases. These included a photo gallery, the film’s theatrical trailer, a history featurette on Tiffany & Co., audio commentary by Shepherd, a making-of featurette with interviews from Edwards and Neal, and a tribute to Hepburn, which contained a letter written by Hepburn to Tiffany & Co. for their 150th anniversary in 1987.

On January 13, 2009, a remastered Centennial Collection version of the film was released on DVD, which added several new featurettes, including interviews with the cast, a documentary discussing the controversy regarding Rooney’s portrayal of I.Y. Yunioshi, an interactive tour of the Paramount Studios lot where filming took place, and a tribute to Mancini. On June 29, 2011, the film was digitally restored in high-definition and released on Blu-ray to commemorate its 50th anniversary.[23][24]

Reception

Box office

Breakfast at Tiffany’s was a commercial success, grossing $14 million on a $2.5 million budget.[25] The film was screened at Radio City Music Hall before its theatrical release, where Variety called it “a bright box office contender”.[26]

Critical response

Audrey Hepburn‘s performance garnered widespread critical acclaim earning her a Best Actress nomination.

On the review aggregator website Rotten Tomatoes, 88% of 56 critics’ reviews are positive, with an average score of 7.5/10. The website’s consensus reads, “It contains some ugly anachronisms, but Blake Edwards is at his funniest in this iconic classic, and Audrey Hepburn absolutely lights up the screen.”[27] Metacritic, which uses a weighted average, assigned the film a score of 77 out of 100, based on 13 critics, indicating “generally favorable” reviews.[28]

Time magazine noted “[Hepburn’s portrayal] is not much different from Capote’s [character]. She has kicked the weed but she is still jolly Holly who runs away to find some of the finer things of life.” It also pointed out the differences from Capote’s novella, stating “after that out-of-Capote beginning, Edwards goes on to an out-of-character end.”[29] Hepburn’s performance received rave reviews, with it considered to be one of her most memorable and identifiable roles.[20] Almost a half century later, Richard Corliss of Time emphasized the level of Hepburn’s performance, stating, “Breakfast at Tiffany’s set Hepburn on her Hollywood course” and argued her performance in the film influenced her later roles.[30]

Tinee Mae of the Chicago Tribune also gave a positive review, saying, “In the wrong hands, the unconventional, disorganized, sophisticated, innocent, utterly contradictory [lead] character could be a tiresome idiot. Audrey makes her as sweet as she is silly, as appealing as she is affected, a playgirl without scruples, a moth who doesn’t quite deserve to die in a flame.” Mae also praised the “slick” and “perceptive” screenplay and the “fine” supporting cast, singling out Peppard, Ebsen, Balsam and Rooney.[31] Henry T. Murdock of The Philadelphia Inquirer wrote, “Breakfast at Tiffany’s shines like a gem. Much of the iridescence comes from the richly impulsive performance by Hepburn as the scatterbrained, pathetic, fiercely independent lead. [Peppard] plays with understanding. Ebsen appears briefly, but to good effect [and] Rooney is too slapstick as the Japanese photographer. Edwards keeps things moving with a lilt.”[32] The film helped rejuvenate Ebsen’s career, as it helped him land the role as Jed Clampett on The Beverly Hillbillies (1962–1971).[33]

A.H. Weiler of The New York Times called the film a “completely unbelievable but wholly captivating flight into fancy composed of unequal dollops of comedy, romance, poignancy, funny colloquialisms and Manhattan’s swankiest East Side areas captured in the loveliest of colors”. Weiler called Hepburn “a genuinely charming, elfin waif who will be believed and adored when seen” and further praised the performances of Peppard, Balsam, Rooney, Neal and Ebsen.[34] Capote infamously disliked the film and Hepburn’s performance for deviating from his novella. Capote’s biographer, Gerald Clarke, characterized the film as a “valentine to free-spirited women, [not] a cautionary tale about a little girl lost in the big city”. He later labelled the film “a sugar and spice confection” and claimed Capote praised it as an independent work, but not as an adaptation.[35] In later years, American Film Institute ranked the film No. 61 in 100 Years … 100 Passions and “Moon River” as No. 4 in 100 Years … 100 Songs. The film was also ranked No. 486 on Empire‘s The 500 Greatest Movies of All Time list.[36]

The success of the film helped revive George Peppard’s movie career after The Subterraneans.[37]

Accolades

AwardCategoryNominee(s)ResultRef.
Academy AwardsBest ActressAudrey HepburnNominated[38]
[39]
Best Screenplay – Based on Material from Another MediumGeorge AxelrodNominated
Best Art Direction – ColorArt Direction: Hal Pereira and Roland Anderson;
Set Decoration: Samuel M. Comer and Ray Moyer		Nominated
Best Music Score of a Dramatic or Comedy PictureHenry ManciniWon
Best Song“Moon River“
Music by Henry Mancini;
Lyrics by Johnny Mercer		Won
Bambi AwardsBest Actress – InternationalAudrey HepburnNominated
David di Donatello AwardsBest Foreign ActressWon[40]
Directors Guild of America AwardsOutstanding Directorial Achievement in Motion PicturesBlake EdwardsNominated[41]
Golden Globe AwardsBest Motion Picture – ComedyNominated[42]
Best Actress in a Motion Picture – Musical or ComedyAudrey HepburnNominated
Grammy AwardsAlbum of the Year (Other Than Classical)Breakfast at Tiffany’s – Henry ManciniNominated[43]
Record of the Year“Moon River” – Henry ManciniWon
Song of the Year“Moon River” – Henry Mancini and Johnny MercerWon
Best Arrangement“Moon River” – Henry ManciniWon
Best Performance by an Orchestra – for Other Than DancingBreakfast at Tiffany’s – Henry ManciniWon
Best Sound Track Album or Recording of Score from Motion Picture or
Television		Won
International Film Music Critics Association AwardsBest Archival Release of an Existing Score – Re-Release or Re-RecordingMusic by Henry Mancini;
Album Produced by Douglass Fake and Roger Feigelson;
Liner Notes by Jeff Bond;
Album Art Direction by Joe Sikoryak		Nominated[44]
Laurel AwardsTop ComedyNominated
Top Female Comedy PerformanceAudrey HepburnNominated
Top Musical ScoreHenry ManciniNominated
Top Song“Moon River”
Music by Henry Mancini;
Lyrics by Johnny Mercer		Won
National Film Preservation BoardNational Film RegistryInducted[45]
Satellite AwardsBest Classic DVDNominated[46]
Writers Guild of America AwardsBest Written American ComedyGeorge AxelrodWon[47]

Influence

The image of Hepburn with her hair in a high chignon and carrying an oversized cigarette holder is considered one of the most iconic images of 20th century American cinema.[48] The sunglasses worn by Hepburn, another popular item, were designed and manufactured in London by Oliver Goldsmith. In 2011, the sunglasses were re-released to mark the film’s 50th anniversary.[49] One of three dresses designed by Givenchy for Hepburn to use in the film sold at auction by Christie’s on December 5, 2006, for £467,200 (~US$947,000), about seven times the reserve price.[50][51]

The black Givenchy dress worn by Hepburn is cited as one of the most iconic clothing items of the twentieth century and was described by Glamour as the most famous little black dress of all time.[52][53][54][55] A second little black dress by Givenchy, which was styled with a wide-brimmed hat, influenced the comic book design for Catwoman by artist Adam Hughes and later inspired the costume for the character in The Dark Knight Rises (2012).[56]

A diamond necklace at Tiffany’s that Hepburn’s character scorns as too flashy was the Tiffany Yellow Diamond, which Hepburn wore in publicity photos for the film. Tiffany and Co.’s established profile as a pre-eminent luxury retailer was further boosted by the popularity of the film.[57]

Controversy

Main articles: I. Y. Yunioshi and Portrayal of East Asians in American film and theater

Since the 1990s, Rooney’s portrayal of I. Y. Yunioshi, which featured makeup and a prosthetic mouthpiece, has been labelled as a caricature of a Japanese man. In the Bruce Lee biopic Dragon: The Bruce Lee Story (1993), Breakfast at Tiffany’s is used as an illustration of Hollywood’s racist depiction of East Asians: it is claimed that Lee and his future wife, Linda Lee Cadwell, walked out of a screening of the film upon viewing Rooney’s performance.[58]

Promotional materials released by Paramount for the film between October and December 1960 did not reveal Rooney to play Yunioshi, with press releases stating that an upcoming Japanese comedian named “Ohayo Arigatou” (“hello” and “thank you” in Japanese) would play the character. Other press releases featured false quotes, written in phonetically broken English, attributed to the fake comedian. Rooney eventually revealed his involvement in Breakfast at Tiffany’s in a statement while wearing the makeup and prosthetic mouthpiece seen in the film.[3]

Mickey Rooney wore makeup and a prosthetic mouthpiece to portray a Japanese character.

Shepherd later said that he wanted to recast the role, “not because he [Rooney] didn’t play the part well” but to have a Japanese actor play Mr. Yunioshi instead, though Edwards overruled him.[59] Shepherd later apologized for Rooney’s casting and performance, saying, “If we could just change Mickey, I’d be thrilled with the [film].”[60] Although Axelrod expanded the role of Yunioshi in the screenplay compared to the novella, Edwards sought to use the character for comic relief and hired Rooney, his old roommate. Axelrod clashed with Edwards regarding the placement of Yunioshi in the film and convinced Hepburn to reshoot scenes for free in the hope that scenes featuring Yunioshi could be edited out, but was overruled by Edwards.[3] Edwards later stated he “would give anything to recast [Rooney]” and he “wished [he] had never done it” but stressed it was not something he could “undo”.[60]

In a 2008 interview, Rooney said he was “heartbroken” regarding the criticism, saying, “Edwards wanted me to [portray] the character because he was a comedy director. We had fun doing it. Never [since] we made it [has] there been [any] complaints. Every place I’ve gone in the world people say [I] was so funny.”[61] Rooney later said that he would not have taken the role if he thought it was offensive.[61]

The film continues to draw criticism for the character, with film historian Robert Osborne calling it “such a racial slur. I blame Edwards. The caricature was totally embarrassing”.[62] In 2011, a group of Asian-American viewers opposed a screening held by SyFy and the Brooklyn Bridge Park Corporation to commemorate the film because of the character.[63]

Adaptations

In 2004, a musical adaptation of the film made its debut at The Muny in St. Louis.[64] In May 2009, Anna Friel starred in a London stage adaptation that opened in September 2009 at the Haymarket Theatre.[65] In March 2013, a new stage adaptation made its debut at the Cort Theater in New York City, starring Emilia Clarke.[66]

See also

Notes

  1.  $1000 in 2023[2]

References

  1.  “Breakfast at Tiffany’s (PG)”. British Board of Film Classification. January 8, 2001. Retrieved December 26, 2023.
  2.  “Calculate the Value of $100 in 1960. How much is it worth today?”. DollarTimes. Retrieved December 27, 2023.
  3.  “How Breakfast at Tiffany’s Turned into a Totally Different Movie | Adapting a Classic”. YouTube. August 31, 2021.
  4.  “Breakfast at Tiffany’s: When Audrey Hepburn won Marilyn Monroe’s role”. The Guardian. September 4, 2009. Retrieved December 26, 2023.
  5.  “Breakfast at Tiffany’s: 50 years on”. September 30, 2010.
  6.  Foerster, Jonathan (February 9, 2011). “Shirley MacLaine isn’t getting old, she’s just advanced”. Naples Daily News. Retrieved June 27, 2017.
  7.  “New Again: Kim Novak”. Interview. February 15, 2012.
  8.  Paris, Barry (1996). Audrey Hepburn. Berkley Books. ISBN 978-0399140563.
  9.  “Happy Birthday, Audrey Hepburn! 10 Things You Never Knew About _Breakfast at Tiffany’_s”. May 4, 2015.
  10.  “‘Breakfast at Tiffany’s:’ Five Things You Didn’t Know”. ABC News. October 4, 2011. Retrieved December 26, 2023.
  11.  “AUDREY HEPBURN IS WARY ON ROLES; Director is More Vital to Star Than Movie’s Script”. The New York Times.
  12.  “5 Things You Didn’t Know About Audrey Hepburn”. Vogue. October 1, 2016. Retrieved December 26, 2023.
  13.  18 Hearty Facts About ‘Breakfast at Tiffany’s’
  14.  “Breakfast at Tiffany’s (1961)”. AFI Catalog of Feature Films.
  15.  Wasson, Sam Fifth Avenue, 5 A.M.: Audrey Hepburn in Breakfast at Tiffany’s Aurum Press, 25 Sep 2011
  16.  Gristwood, Sarah (September 30, 2010). “Breakfast at Tiffany’s: 50 Years On”. The Telegraph. Archived from the original on January 12, 2022.
  17.  “Breakfast at Tiffany’s (1961): Filming and Production”. imdb.com. Retrieved December 3, 2019.
  18.  25 Things You May Not Know About ‘Breakfast at Tiffany’s’ Archived June 28, 2016, at the Wayback Machine at moviefone.com, 5 Oct 2011
  19.  “Movies: Never Too Much Music”. Time. May 25, 1962. Archived from the original on February 4, 2013. Retrieved October 3, 2010.
  20.  Spoto 2006, pp. 204–05.
  21.  Erwin, Ellen; Diamond, Jessica Z. (October 2006). The Audrey Hepburn Treasures. New York: Atria Books. p. 107. ISBN 978-0-7432-8986-3.
  22.  Shepherd, Richard. Breakfast at Tiffany’s – Anniversary Edition/Centennial Edition audio commentary (DVD). Paramount. Event occurs at 25:20.
  23.  “Breakfast at Tiffany’s Blu-ray”.
  24.  “Latest Academy News”. September 10, 2014.
  25.  “1961 Rentals and Potential”. Variety. January 10, 1961. p. 13.
  26.  Tubelle, Larry (October 11, 1961). “Breakfast at Tiffany’s”. Variety. p. 7.
  27.  Breakfast at Tiffany’s at Rotten Tomatoes
  28.  Breakfast at Tiffany’s Reviews, Metacritic, retrieved March 19, 2022
  29.  “Cinema: Once Over Golightly”. Time. October 20, 1961. Archived from the original on September 15, 2012. Retrieved October 3, 2010.
  30.  Corliss, Richard (January 20, 2007). “Audrey Hepburn: Still the Fairest Lady”. Time. Retrieved October 3, 2010.
  31.  Tinee, Mae. “A Slick Script and Fine Cast in This Film.” Chicago Tribune, 20 October 1961, B11.
  32.  Murdock, Henry T. “Audrey Hepburn Stars in Role of Party Girl.” The Philadelphia Inquirer, October 28, 1961, 15.
  33.  Biography for Buddy Ebsen at IMDb
  34.  Weiler, A.H. (October 6, 1961). “The Screen: Breakfast at Tiffany’s: Audrey Hepburn Stars in Music Hall Comedy”. The New York Times. Retrieved October 3, 2010.
  35.  “Capote never liked Hepburn in iconic role”. Today.com. Associated Press. Archived from the original on July 30, 2017. Retrieved November 10, 2014.
  36.  “Empire: Features”. Empireonline.com. Retrieved May 16, 2009.
  37.  Vagg, Stephen (December 29, 2024). “Movie Star Cold Streaks: George Peppard”. Filmink. Retrieved December 29, 2024.
  38.  “The 34th Academy Awards (1962) Nominees and Winners”. Academy of Motion Picture Arts and Sciences. October 5, 2014. Retrieved February 19, 2015.
  39.  “NY Times: Breakfast at Tiffany’s”. Movies & TV Dept. The New York Times. 2007. Archived from the original on December 1, 2007. Retrieved December 24, 2008.
  40.  “Audrey Hepburn”. David di Donatello. Retrieved August 11, 2023.
  41.  “14th DGA Awards”. Directors Guild of America Awards. Retrieved August 11, 2023.
  42.  “Breakfast at Tiffany’s”. Golden Globe Awards. Retrieved August 11, 2023.
  43.  “4th Annual GRAMMY Awards”. Grammy Awards. Retrieved May 1, 2011.
  44.  “2013 IFMCA Awards”. International Film Music Critics Association. February 20, 2014. Retrieved August 11, 2023.
  45.  “Complete National Film Registry Listing”. Library of Congress. Retrieved August 11, 2023.
  46.  “2011 Satellite Awards”. Satellite Awards. Retrieved August 11, 2023.
  47.  “Awards Winners”. Writers Guild of America Awards. Archived from the original on December 5, 2012. Retrieved June 6, 2010.
  48.  Spoto 2006, p. 203.
  49.  Moss, Rob (July 28, 2011). “Re-released Manhattan sunglasses mark 50th anniversary of Breakfast at Tiffany’s“. Eye Wear Glasses. Retrieved April 19, 2016.
  50.  “Auction frenzy over Hepburn dress”. BBC News. December 5, 2006.
  51.  “Audrey Hepburn Breakfast At Tiffany’s, 1961″. Christie’s. December 5, 2006. Retrieved April 19, 2016.
  52.  “The Most Famous Dresses Ever”. Glamour.com. April 2007. Archived from the original on March 4, 2016. Retrieved May 16, 2011.
  53.  “Audrey Hepburn dress”. Hello Magazine. December 6, 2006.
  54.  “Audrey Hepburn’s little black dress tops fashion list”. The Independent. May 17, 2010. Retrieved May 16, 2011.
  55.  Steele, Valerie (November 9, 2010). The Berg Companion to Fashion. Berg Publishers. p. 483. ISBN 978-1-84788-592-0. Retrieved May 16, 2011.
  56.  Miller, Jacqui (2014). Fan Phenomena: Audrey Hepburn. Chicago: University of Chicago Press. pp. 26–7. ISBN 978-1-78320-206-5.
  57.  “#204: Tiffany & Co. and its priceless Yellow Diamond – 1000 Things to do New York”. October 1, 2014. Archived from the original on August 7, 2016.
  58.  Morris, M. (2007). Learning from Bruce Lee: Pedagogy and Political Correctness in Martial Arts Cinema.”. The Worlding Project: Doing Cultural Studies in the Era of Globalization, 49–56.
  59.  Shepherd, Richard. Breakfast at Tiffany’s – Anniversary Edition/Centennial Edition audio commentary (DVD). Paramount. Event occurs at 3:43.
  60.  Breakfast at Tiffany’s: The Making of a Classic
  61.  Magagnini, Stephen (September 28, 2008). “Mickey Rooney upset about claims his ‘Tiffany’s’ role is racist”. Sacramento Bee. Scripps Howard News Service. Archived from the original on December 5, 2008. Retrieved October 3, 2010.
  62.  “Robert Osborne recasts Breakfast at Tiffany’s”. thefilmsinmylife. Archived from the original on July 27, 2020. Retrieved April 13, 2020.
  63.  “‘Breakfast At Tiffany’s’ Brooklyn Screening Sparks Protests From Asian-American Group”. July 13, 2011 – via Huff Post.
  64.  “Show Archives”. The Muny. Archived from the original on May 28, 2008. Retrieved May 16, 2009.
  65.  “Entertainment | West End Breakfast for Anna Friel”. BBC News. May 15, 2009. Retrieved May 16, 2009.
  66.  “Breakfast At Tiffany’s—The Official Broadway Site”. Retrieved April 12, 2013.

Further reading

  • Spoto, Donald (2006). Enchantment: The Life of Audrey Hepburn. New York: Harmony Books. ISBN 0-307-23758-3.
  • Breakfast at Tiffany’s, by George Axelrod. Published by Paramount Home Entertainment (UK), 1960. (film script)
  • Breakfast at Tiffany’s: A Short Novel and Three Stories, by Truman Capote. Published by Random House, 1958.
  • Wasson, Sam (August 30, 2011). Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany’s, and the Dawn of the Modern Woman. Harper Collins. ISBN 978-0061774164.

Breakfast at Tiffany’s (film)at Wikipedia’s sister projects

vteTruman Capote‘s Breakfast at Tiffany’s
vteWorks by Truman Capote
vteFilms directed by Blake Edwards

Portals:

Authority control databases 

Categories: 

Posted in New Essays permalink

About joelsnell99

Who's Who in all U.S and U.K. Honoraries (Marquis) Numerous publications in over 80 venues DANA SPIRIT AWARD/2009 Oxford Roundtable, Editor of FOCUS, a student Social Science Journal Author Snell Life Cycle Lonliness Curve Professor Emeritus - Kirkwood College Omicron Delta Kappa Grants Online Editor for Psychology and Education.com Research Fellow - Arlington Institute Outstanding Teacher at Kirkwood College Membership in numerous editorial boards or a reviewer of manuscripts Associate Editor - Psychology and Education Co-Author of Snell-Green Professor Index Author of Snell Educator Effectiveness Index Contributer to FutureEdition.com Co-Author of Snell-Allen Medical Rank Index Fellow in Kennedy Foundation Co-Author of Snell-Allen Subjective Assessment Sex Role Index Honors >>> Positions and Courses Taught >>> joelsnell@hotmail.com http://www.socialvibes.net Research Council, Advisory Board

Comments are closed.

↑